本文選題：張競生　切入點(diǎn)：生命藝術(shù)化　出處：《西北大學(xué)》2010年碩士論文　論文類型：學(xué)位論文

【摘要】： 中國現(xiàn)代“生命藝術(shù)化”思想產(chǎn)生于上個世紀(jì)初的新文化運(yùn)動之際,它是現(xiàn)代一些知識分子從審美角度提出來的生命理想或者生活主張,體現(xiàn)了他們所追求和踐行的人生志趣和生活趣味。張競生就是其中的一員,他有關(guān)美的人生觀、美的社會組織法以及一些隨筆中反映的將審美與生命聯(lián)系起來的觀點(diǎn),都無不表明其與“生命藝術(shù)化”思想的密切聯(lián)系。他旨在尋求個性解放以及人生快樂的根源,意欲在中國這個病弱的社會實(shí)現(xiàn)愛與美合一的理想,反映出他在中國現(xiàn)代啟蒙運(yùn)動下獨(dú)特的思路。隨著當(dāng)前美學(xué)研究的深入發(fā)展,張競生博大精深的美學(xué)思想及其獨(dú)具的研究個性,越來越顯示出他的特殊價值和重要意義。但很長一段時間以來,在中國美學(xué)界卻鮮有學(xué)者提及張競生這個名字,本文試圖以“生命藝術(shù)化”這一角度來審視張競生的美學(xué)思想,對其“生命藝術(shù)化”思想的形成、內(nèi)涵、實(shí)現(xiàn)以及意義和局限加以闡釋。 從張競生“生命藝術(shù)化”思想的內(nèi)涵來看,他以人類的生命為起點(diǎn),用審美的視域來闡釋美的人生觀,包括美的衣食住等七項內(nèi)容,并把審美看做社會的組織化原則；他以美的本體研究來探討生命力的擴(kuò)張,并把這種生命力擴(kuò)張到日常生活的各個方面,體現(xiàn)了審美活動與人的自由自覺的生命活動這一最高的生命存在方式；通過以趣化人生為價值取向、提升人的美感以及通過自然喚醒人的審美潛能這三大途徑使生命的擴(kuò)張力得到最有效的發(fā)展,從而達(dá)到“人要過高質(zhì)量的生活,社會要建立合理的社會制度”的目的,這樣一個充滿情愛與美趣的美治社會的理想,是中國現(xiàn)代知識分子對當(dāng)時病弱社會的考察,具有重塑民眾、救亡圖存的傾向。將之置于當(dāng)代審美文化視域中考察,也包含著豐富的審美教育意義,它對于我們抵抗物欲侵蝕、超越庸常生活以及審美化生存提供了重要而深刻的啟示。由于張競生的“生命藝術(shù)化”思想在當(dāng)時具有一定的超越性,無法與現(xiàn)實(shí)直接融合,因此遭到了歷史與現(xiàn)實(shí)的遺棄,具有某種烏托邦的性質(zhì)。
[Abstract]:The thought of "life artistry" in modern China came into being at the beginning of 0th century when the New Culture Movement was launched. It is a life ideal or life proposition put forward by some modern intellectuals from an aesthetic point of view. Zhang Jingsheng is one of them. Zhang Jingsheng is one of them. He is concerned with the aesthetic outlook on life, the social organization law of beauty and the view of connecting aesthetics with life, as reflected in some essays. He aims to seek the root of personality liberation and the happiness of life, and to realize the ideal of love and beauty in this sick and weak society of China. Reflecting his unique thinking under the modern Chinese Enlightenment. With the further development of the current aesthetic research, Zhang Jingsheng's broad and profound aesthetic thought and his unique research personality, But for a long time, few scholars in Chinese aesthetic circles have mentioned the name of Zhang Jingsheng. This paper attempts to examine Zhang Jingsheng's aesthetic thought from the angle of "artistry of life". The formation, connotation, realization, significance and limitation of his thought of "life artistry" are explained. From the connotation of Zhang Jingsheng's thought of "life artistry", he takes the human life as the starting point, explains the aesthetic outlook on life from the perspective of aesthetics, including seven contents, such as beautiful food, clothing, shelter and so on, and regards aesthetics as the organizing principle of the society. He explores the expansion of vitality with the study of beauty, and extends this vitality to every aspect of daily life, which embodies the aesthetic activity and the free and conscious life activity of human being, which is the highest way of life existence. By taking life as the value orientation, promoting the aesthetic feeling of human beings and awakening the aesthetic potential of people through nature, the expansion of life can be developed most effectively, so as to achieve "people want to lead a high quality of life." The aim of establishing a reasonable social system in society ", such an ideal of a beautiful society full of love and beauty, is the investigation of the sick and weak society by modern Chinese intellectuals, which has reshaped the people." The tendency to save the nation from death. To examine it from the perspective of contemporary aesthetic culture also contains rich aesthetic educational significance, which is of great importance to our resistance to the erosion of material desires. Transcending mediocre life and aesthetic existence provide important and profound enlightenment. Zhang Jingsheng's "life artistry" thought was abandoned by history and reality because of its transcendence at that time, which could not be directly integrated with reality. Having a certain utopian quality.
【學(xué)位授予單位】：西北大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2010
【分類號】：J01

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