發(fā)布時(shí)間：2018-02-25 18:04

  本文關(guān)鍵詞： 十三行 古意 圖像 伍秉鑒　出處：《美術(shù)研究》2017年04期 　論文類型：期刊論文

【摘要】：本文運(yùn)用傳統(tǒng)的古意美學(xué)觀和歐文·潘諾夫斯基的圖像學(xué)理論,結(jié)合相互比對(duì)的方法,從歷史的維度,采用跨學(xué)科、跨時(shí)空的視角,探討西畫(huà)范式的《廣州十三行》古意美學(xué)的當(dāng)代表征,揭示海洋文明的時(shí)代特質(zhì),發(fā)掘拓展古意的意旨及其普遍意義。
[Abstract]:This paper uses the traditional aesthetic view of ancient meaning and Irwin Panofsky's theory of imageology, combined with the method of comparing with each other, from the perspective of the historical dimension, and from an interdisciplinary, space-time perspective. This paper probes into the contemporary representation of the ancient aesthetics of "Guangzhou 13 line" in the paradigm of western painting, reveals the characteristics of the age of marine civilization, and explores the meaning and universal significance of expanding the ancient meaning.
【作者單位】： 廣州美術(shù)學(xué)院油畫(huà)系;
【分類號(hào)】：J01
，

本文編號(hào)：1534587