本文關(guān)鍵詞： 敘事美學(xué) 耿占春 符號(hào) 象征　出處：《當(dāng)代文壇》2017年06期 　論文類型：期刊論文

【摘要】：面對(duì)復(fù)雜的符號(hào)和象征組成的現(xiàn)代敘事體系,耿占春主要關(guān)注兩個(gè)問(wèn)題:其一為敘事的時(shí)代轉(zhuǎn)變及其社會(huì)意義,另一個(gè)則是現(xiàn)代敘事對(duì)傳統(tǒng)敘事的超越(即"百科全書(shū)"式的小說(shuō))。敘事的新傳統(tǒng)已經(jīng)在十九世紀(jì)末、二十世紀(jì)初得以確立,它大不同于此前的寫(xiě)作,敘事學(xué)及其理論的地位也隨之提升。就敘事美學(xué)的基本觀念而言,耿占春所提出的"百科全書(shū)"小說(shuō),首先是對(duì)集體經(jīng)驗(yàn)的對(duì)抗和重構(gòu),其次是對(duì)情感與知識(shí)邊界的超越。
[Abstract]:In the face of the modern narrative system composed of complex symbols and symbols, Geng Zhanchun focuses on two issues: one is the change of the times of narration and its social significance. The other is the transcendence of modern narration to the traditional narrative (that is, the encyclopedia novel.) the new tradition of narrative has been established in late 19th century and early 20th century, which is quite different from previous writing. In terms of the basic concept of narrative aesthetics, the encyclopedia proposed by Geng Zhanchun is, firstly, the confrontation and reconstruction of collective experience, and secondly the transcendence of emotion and knowledge.
【作者單位】： 海南大學(xué)人文傳播學(xué)院;
【分類號(hào)】：I01
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本文編號(hào)：1530075