本文關(guān)鍵詞： 真實 言 象 意 畫論　出處：《河南大學(xué)》2009年碩士論文　論文類型：學(xué)位論文

【摘要】： 隨著現(xiàn)代傳媒技術(shù)手段的革新,攝影、電視、電影、網(wǎng)絡(luò)制造等產(chǎn)生的大量圖像不斷進入人類的視野。圖像“看起來”與真實更為接近,甚至圖像就是真實;文字或者書寫的統(tǒng)治地位受到?jīng)_擊,傳統(tǒng)意義上的文學(xué)的真實遭受懷疑、面臨瓦解,世界已被圖像包圍,進入后現(xiàn)代性視覺文化也即圖像時代。德波的景觀社會概念標(biāo)示了圖像不再是自然和真實,甚至虛構(gòu)的意義更為顯著,景觀就是日常生活;鮑德里亞的理論研究把圖像完全推入了“超真實”,圖像自我產(chǎn)生,已經(jīng)與現(xiàn)實物象毫無聯(lián)系,成為無深度、平面化的“擬像”等,他描述的是圖像與事物之間的關(guān)系,但其真正的意圖卻是揭示圖像中深度意義的消亡。 然而,在探求文學(xué)藝術(shù)在圖像時代的生存策略這一問題上,中國古典“象”理論顯示出其獨到的優(yōu)勢,中國古代文論核心范疇“象”、與它所聯(lián)系著的“言、象、意”之間的互動體系以及受此影響所形成的意象、意境范疇,一致揭示了這樣一種含義:“象”與意義直接相連并且“象”中即有真意。 本文討論的主題是“象與真”,從探究現(xiàn)代圖像泛濫卻導(dǎo)致深意消失的原因出發(fā),梳理古代文論中象與真實的互動關(guān)系,研究象理論的意義言說方式,探討象與真的融合問題和此種深度意義在詩論、畫論中的具體展現(xiàn),考察現(xiàn)代圖像與真實脫節(jié)、其深意逐漸隱遁的歷程、原因和中國古代象理論在探尋深意的思維方式、藝術(shù)追求等方面的借鑒意義,以及中國古代文論的現(xiàn)代轉(zhuǎn)換問題。
[Abstract]:With the innovation of modern media technology, a large number of images produced by photography, television, film, network manufacturing and so on are constantly coming into human view. The image "looks" is closer to the reality, even the image is true; The dominant position of writing or writing has been challenged, the truth of traditional literature has been questioned, and the world has been surrounded by images. The concept of landscape society of Debo indicates that the image is no longer natural and real, and even the meaning of fiction is more obvious. The landscape is daily life. Baudrillard's theoretical research has completely pushed the image into the "super reality", the image self-production, has no relation with the real object image, has become the depth, the plane "simulacra" and so on. He describes the relationship between images and things, but its real intention is to reveal the disappearance of depth meaning in images. However, on the question of exploring the survival strategy of literature and art in the image age, Chinese classical "elephant" theory shows its unique advantages. The core category of ancient Chinese literary theory, "elephant", is associated with "words". The system of interaction between "image, meaning" and the image formed by this influence, the category of artistic conception, reveals a kind of meaning: "image" and "meaning" are directly linked and there is true meaning in "image". The theme of this paper is "image and truth". From the point of exploring the reason why the modern image overflows but leads to the disappearance of profound meaning, this paper combs the interactive relationship between image and reality in ancient literary theory, and studies the means of meaning and expression of image theory. This paper probes into the fusion of image and truth and the concrete display of this kind of deep meaning in poetics and painting theory, examines the disconnection between modern image and reality, and the course of its profound meaning gradually reclining. The reason and the reference meaning of the ancient Chinese image theory in exploring the profound way of thinking and the pursuit of art, as well as the problem of the modern transformation of the ancient Chinese literary theory.
【學(xué)位授予單位】：河南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2009
【分類號】：J0-02

【引證文獻】

相關(guān)碩士學(xué)位論文 前1條

1 張曉立;魏晉言意之辨方法論研究[D];山東師范大學(xué);2012年

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本文編號：1491259