本文關(guān)鍵詞： 興會 迷狂 靈感 天才 文學(xué)思維　出處：《探索與爭鳴》2017年05期 　論文類型：期刊論文

【摘要】："興會"作為中國古代文藝創(chuàng)作傳統(tǒng)中錘煉出來的審美范疇,通常是指審美感興或藝術(shù)直覺中的靈感,即文藝家在瞬間直覺中對自然山水或宇宙人生進(jìn)行深刻的、本真的體會和把握。"迷狂"通常是指藝術(shù)家有如"神靈附體"一樣突然出現(xiàn)才思泉涌的超常發(fā)揮狀態(tài)。"興會"和"迷狂"都屬于靈感思維的范疇。但二者的差異性也相當(dāng)明顯:中國文論體系中的"興會",往往要求詩人情感抒發(fā)不得偏離王道教化的軌道,創(chuàng)作者自覺不自覺地接受"發(fā)乎情止乎禮義"的規(guī)訓(xùn)。相比之下,西方詩學(xué)史上的"迷狂"則表現(xiàn)出更為強(qiáng)烈的自由性和自主性,進(jìn)入迷狂狀態(tài)的創(chuàng)作者絕不遷就理性調(diào)控原則或情感節(jié)制要求。
[Abstract]:As a refined aesthetic category in the tradition of ancient Chinese literary and artistic creation, "Xinghui" usually refers to the inspiration of aesthetic feeling or artistic intuition. In other words, the writers and artists in the instant intuition of the natural landscape or cosmic life profound. True experience and grasp. "fanaticism" usually refers to the extraordinary state in which an artist suddenly appears as if he were a "spiritual possession". "exaltation" and "fanaticism" Both belong to the category of inspirational thinking, but the difference between the two is quite obvious: the "Xinghui" in the Chinese literary theory system. Poets are often asked to express their feelings not deviate from the track of Wang Tao, the creators consciously or unconsciously accept the discipline of "sending feelings and not only courtesy and righteousness". By contrast. In the history of western poetics, the "fanaticism" shows stronger freedom and autonomy, and the creators who enter into the ecstasy state will never give in to the principles of rational regulation or emotional control.
【作者單位】： 中國社會科學(xué)院文學(xué)研究所;
【分類號】：I04
【正文快照】： 從文學(xué)理論的視角看,“興會”與“迷狂”都屬于還需要,它就還有被討論的必要。靈感思維的范疇。“我們?yōu)槭裁匆谶@個億萬信息都有關(guān)靈感以及靈感思維,中外文論有許多不同唾手可得的時代討論文學(xué)靈感呢?”在2015年中韓日的表述方式。盡管“靈感”概念純屬學(xué)術(shù)舶來品,但三國作

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