林芙美子與張愛玲女性意識之比較
發(fā)布時間：2019-04-27 11:46
【摘要】： 日本近代女作家林芙美子，因昭和三年(1928年)連載的《放浪記》而出名，后又憑借《晚菊》獲得了第三屆女性文學獎，隨后的《浮云》被稱為其文學的集大成之作。除此之外，還創(chuàng)作了許多膾炙人口的詩歌及散文。她是日本近代文學中頗受注目的女作家。中國現代女作家張愛玲以其女性獨特的視角創(chuàng)作了《傳奇》等大量的彌漫荒涼氣息的作品，從而在二十世紀四十年代，猶如一顆璀璨的明星閃爍于中國的文壇之上，她的作品至今受到人們的喜愛。 初讀二者的文學作品，我們會發(fā)現她們的作品有一個共同的特點，即都著力描寫男歡女愛的情感故事，用女性特有的感覺去感受女性不幸的命運，批判以男性為中心的社會。同時，通過作品，我們還能體會到兩作家曲折而復雜的人生命運。但是，由于兩作家所處的歷史環(huán)境與接受的文化思想不同，兩人在女性意識方面表現出很大的不同。本文將從這一角度入手，，用比較文學平行研究的方法，從以下四個方面展開論述。 第一部分：考察中日兩國近現代女性文學的狀況。通過分析兩作家同時代女性作家的文學，揭示兩者在女性文學史上的地位及重要性。從女性意識的角度研究兩作家的作品，對推動兩國女性文學的發(fā)展所具有的積極作用。第二部分：考察兩作家不尋常的人生經歷。指出正是由于作家的經歷不同，才會產生獨特的作品。第三部分：從與母親的關系、對自由的向往以及對男性的態(tài)度分析比較兩作家作品中的女性意識。第四部分：從女性意識的角度分析比較兩作家不同的創(chuàng)作手法。具體從雙重身份、心理描寫、具體的意象、細節(jié)描寫這四個方面展開論述。 迄今為止，中日兩國學者從對本國文學研究的立場出發(fā)，分別從各個不同的角度對兩作家作了深入的研究，分析了她們在各自文學史上的地位，但將二者進行比較研究的論文甚少。本論文將從女性意識的角度入手，將兩作家作平行研究，試圖揭示中日兩國近現代女作家的不同點與相同點，目的在于今后使更多的人更加關注中日兩國女性文學的比較研究，推動中日兩國比較文學的發(fā)展。
[Abstract]:Lin Fu-Miko, a modern Japanese female writer, was famous for Showa three years (1928), and later won the third Women's Literature Prize for "Evening Chrysanthemum". Later, "floating Cloud" was called the masterpiece of her literature. In addition, he wrote many famous poems and essays. She is a high-profile female writer in modern Japanese literature. Zhang Ailing, a modern Chinese woman writer, created a large number of desolate works such as "Legend" from her unique female perspective. Thus, in the 1940s, it was like a bright star flickering over China's literary world. Her work is now popular with people. When we first read their literary works, we will find that their works have a common feature, that is, they both focus on describing the emotional stories of love between men and women, feeling the misfortune of women with the special feelings of women, and criticizing the society centered on men. At the same time, through the works, we can also experience the twists and turns of the fate of the two writers. However, due to the difference between the two writers' historical environment and their accepted cultural thoughts, the two writers show great differences in the female consciousness. This article will start from this angle, with the comparative literature parallel research method, from the following four aspects. The first part: a survey of the modern and modern female literature in China and Japan. By analyzing the literature of female writers of the same age, this paper reveals the importance and status of the two writers in the history of female literature. The study of the works of the two writers from the point of view of female consciousness plays a positive role in promoting the development of women's literature in the two countries. The second part: examine the unusual life experience of the two writers. The author points out that it is because of the different experiences of the writer that the unique works will be produced. The third part compares the female consciousness in the two writers' works from the relationship with the mother, the yearning for freedom and the attitude towards the male. The fourth part: analyzing and comparing the two writers' different writing methods from the point of view of female consciousness. Specifically from the dual identity, psychological description, specific images, detailed description of these four aspects of the discussion. Up to now, Chinese and Japanese scholars have made in-depth studies of the two writers from different angles from the standpoint of their own literary studies, and analyzed their status in the history of literature of their respective countries. However, the comparative study of the two papers is very few. In order to reveal the differences and similarities between Chinese and Japanese women writers in modern times, this thesis aims to make more people pay more attention to the comparative study of Chinese and Japanese women's literature in the future, from the point of view of female consciousness and the parallel study of the two writers, and tries to reveal the differences and similarities between Chinese and Japanese women writers in modern times. To promote the development of comparative literature between China and Japan.
【學位授予單位】：山東大學
【學位級別】：碩士
【學位授予年份】：2007
【分類號】：I0-03;I106.4
本文編號：2466958
[Abstract]:Lin Fu-Miko, a modern Japanese female writer, was famous for Showa three years (1928), and later won the third Women's Literature Prize for "Evening Chrysanthemum". Later, "floating Cloud" was called the masterpiece of her literature. In addition, he wrote many famous poems and essays. She is a high-profile female writer in modern Japanese literature. Zhang Ailing, a modern Chinese woman writer, created a large number of desolate works such as "Legend" from her unique female perspective. Thus, in the 1940s, it was like a bright star flickering over China's literary world. Her work is now popular with people. When we first read their literary works, we will find that their works have a common feature, that is, they both focus on describing the emotional stories of love between men and women, feeling the misfortune of women with the special feelings of women, and criticizing the society centered on men. At the same time, through the works, we can also experience the twists and turns of the fate of the two writers. However, due to the difference between the two writers' historical environment and their accepted cultural thoughts, the two writers show great differences in the female consciousness. This article will start from this angle, with the comparative literature parallel research method, from the following four aspects. The first part: a survey of the modern and modern female literature in China and Japan. By analyzing the literature of female writers of the same age, this paper reveals the importance and status of the two writers in the history of female literature. The study of the works of the two writers from the point of view of female consciousness plays a positive role in promoting the development of women's literature in the two countries. The second part: examine the unusual life experience of the two writers. The author points out that it is because of the different experiences of the writer that the unique works will be produced. The third part compares the female consciousness in the two writers' works from the relationship with the mother, the yearning for freedom and the attitude towards the male. The fourth part: analyzing and comparing the two writers' different writing methods from the point of view of female consciousness. Specifically from the dual identity, psychological description, specific images, detailed description of these four aspects of the discussion. Up to now, Chinese and Japanese scholars have made in-depth studies of the two writers from different angles from the standpoint of their own literary studies, and analyzed their status in the history of literature of their respective countries. However, the comparative study of the two papers is very few. In order to reveal the differences and similarities between Chinese and Japanese women writers in modern times, this thesis aims to make more people pay more attention to the comparative study of Chinese and Japanese women's literature in the future, from the point of view of female consciousness and the parallel study of the two writers, and tries to reveal the differences and similarities between Chinese and Japanese women writers in modern times. To promote the development of comparative literature between China and Japan.
【學位授予單位】：山東大學
【學位級別】：碩士
【學位授予年份】：2007
【分類號】：I0-03;I106.4
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