【摘要】：物候是古代農(nóng)耕社會條件下，人們?yōu)榱颂岣咿r(nóng)業(yè)生產(chǎn)水平，對自然變化進行歸納、整理而來，是民間美術(shù)的重要表現(xiàn)主題之一。人們根據(jù)自然變化對生產(chǎn)生活進行合理安排，其影響幾乎滲透于日常生活的各個方面。物候知識被引入民間美術(shù)的創(chuàng)作主題之中，不僅可以借此提醒人們及時耕作，而且可以借助民間美術(shù)這一具象化載體對物候知識進行傳承，同時也將人們對生活的希冀寓意其中。民間美術(shù)作品中的物候不但具有民間美術(shù)作品的一般特點，更由于其對生產(chǎn)生活有著深刻的指導(dǎo)意義，使之在不同的社會發(fā)展階段都有著巨大的受眾群體，有著旺盛的生命力。 本課題研究從藝術(shù)學(xué)視角出發(fā)，綜合藝術(shù)學(xué)、民藝學(xué)、民俗學(xué)、藝術(shù)人類學(xué)、藝術(shù)社會學(xué)等多學(xué)科的相關(guān)理論與方法，，選取“物候在民間美術(shù)中的表現(xiàn)”為研究對象，對其內(nèi)涵、特點、創(chuàng)作觀念、審美表現(xiàn)等方面進行深入研究與探討。研究目的不僅在于深化對相關(guān)民間美術(shù)品類、民俗觀念的理解，更在于對民間美術(shù)理論方面的豐富，完善物候?qū)W、民藝學(xué)、民俗學(xué)等相關(guān)方面的理論建構(gòu)，也可以與相關(guān)學(xué)科進行相互印證與交流，共同發(fā)展，為相關(guān)方向的研究提供一定的借鑒意義。 本課題研究主要從三個方面展開：第一個方面主要是對民間美術(shù)中的物候及其特征進行分析；第二個方面主要是對民間美術(shù)中的物候藝術(shù)創(chuàng)作觀念進行分析；第三個方面主要是對物候在民間美術(shù)中的審美表現(xiàn)進行研究。最后，在以上研究的基礎(chǔ)上，對物候在民間美術(shù)中的表現(xiàn)進行概括分析，對現(xiàn)代藝術(shù)學(xué)研究可以起到有益的啟示和借鑒。研究結(jié)果表明：物候作為民間美術(shù)重要主題之一，無論是其在民間美術(shù)中的內(nèi)涵還是表現(xiàn)形式，無一不是與人們的生產(chǎn)生活緊密相關(guān)的，特殊的使用方式造就了其特殊的表現(xiàn)形式，是民間美術(shù)審美與功能相結(jié)合的最直觀體現(xiàn)。
[Abstract]:Phenology is one of the important expression themes of folk art in ancient agricultural society, in order to improve the level of agricultural production, the natural changes are summarized and sorted out. According to the natural changes, people arrange production and life reasonably, and its influence permeates almost every aspect of daily life. Phenological knowledge is introduced into the theme of folk art creation, which can not only remind people to cultivate in time, but also pass on phenological knowledge with the help of folk art as a figurative carrier. At the same time, people's hopes for life are implied. The phenology of folk art works not only has the general characteristics of folk art works, but also has profound guiding significance for production and life, which makes it have a huge audience group and vigorous vitality in different stages of social development. From the point of view of art, this paper studies the theories and methods of art, folk art, folklore, art anthropology, art sociology and so on, and selects phenology in folk art as the object of study. To its connotation, characteristic, creation idea, aesthetic performance and so on carries on the thorough research and the discussion. The purpose of the study is not only to deepen the understanding of the relevant folk art categories and folklore concepts, but also to enrich the theory of folk art, improve phenology, folk art, folklore and other related theoretical construction. It can also confirm and communicate with related disciplines and develop together, which can provide some reference for the research of related direction. The research of this subject is mainly carried out from three aspects: the first is the analysis of phenology and its characteristics in folk art, the second is the analysis of the concept of phenological art creation in folk art; The third aspect is to study the aesthetic performance of phenology in folk art. Finally, on the basis of the above research, the performance of phenology in folk art can be summarized and analyzed, which can provide useful inspiration and reference for the study of modern art. The results show that phenology, as one of the important themes of folk art, is closely related to people's production and life, regardless of its connotation or form of expression in folk art. Its special form of expression is the most intuitionistic embodiment of the combination of folk art aesthetics and function.
【學(xué)位授予單位】：山東工藝美術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J0

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本文編號：2419537