期刊>外國(guó)語(yǔ)文>2013年6期 多模態(tài)認(rèn)知詩(shī)學(xué)研究——認(rèn)知詩(shī)學(xué)研究的新進(jìn)展 分享 摘要 多模態(tài)文學(xué)在數(shù)字技術(shù)革命和后現(xiàn)代文化思潮的助推下異軍突起,重塑著當(dāng)下的文學(xué)實(shí)踐和交流圖景.以Alison Gibbons為代表的一批學(xué)者從讀者認(rèn)知體驗(yàn)的角度,探究多模態(tài)表征與讀者認(rèn)知加" />

天堂国产午夜亚洲专区-少妇人妻综合久久蜜臀-国产成人户外露出视频在线-国产91传媒一区二区三区

萬(wàn)方數(shù)據(jù)中小學(xué)數(shù)字圖書(shū)館

發(fā)布時(shí)間:2017-01-21 10:51

  本文關(guān)鍵詞:交互敘事:數(shù)碼時(shí)代講故事的新策略,,由筆耕文化傳播整理發(fā)布。


首頁(yè) > 期刊 > 外國(guó)語(yǔ)文 > 2013年6期

多模態(tài)認(rèn)知詩(shī)學(xué)研究——認(rèn)知詩(shī)學(xué)研究的新進(jìn)展

分享

  • 摘要

    多模態(tài)文學(xué)在數(shù)字技術(shù)革命和后現(xiàn)代文化思潮的助推下異軍突起,重塑著當(dāng)下的文學(xué)實(shí)踐和交流圖景.以Alison Gibbons為代表的一批學(xué)者從讀者認(rèn)知體驗(yàn)的角度,探究多模態(tài)表征與讀者認(rèn)知加工之間的關(guān)系,開(kāi)啟了一個(gè)新的研究方向:多模態(tài)認(rèn)知詩(shī)學(xué)研究.在引介Gibbons的開(kāi)山之作《多模態(tài),認(rèn)知和實(shí)驗(yàn)文學(xué)》(2012)的基礎(chǔ)上,把多模態(tài)認(rèn)知詩(shī)學(xué)研究置于更寬宏的跨學(xué)科和后現(xiàn)代文化思潮視域中,梳理多模態(tài)認(rèn)知詩(shī)學(xué)的發(fā)展脈絡(luò),預(yù)測(cè)其未來(lái)發(fā)展方向,為推動(dòng)剛剛萌芽的多模態(tài)認(rèn)知詩(shī)學(xué)研究提供一個(gè)思想框架和理論視野.

  • 作者

    趙秀鳳  ZHAO Xiu-feng 

  • 作者單位

    中國(guó)石油大學(xué)外國(guó)語(yǔ)學(xué)院,北京,102249

  • 刊期

    2013年6期 PKU CSSCI

  • 關(guān)鍵詞

    多模態(tài)  認(rèn)知詩(shī)學(xué)  后現(xiàn)代思潮 

  • 參考文獻(xiàn)

  • [1] 王澤慶.
  • [2] 趙秀鳳,葉楠.
  • [3] 李戰(zhàn)子.
  • [4] 朱永生.
  • [5] 楊信彰.
  • [6] 張德祿.
  • [7] 王澤慶.
  • [8] Baldry,A;P.J.Thibault. Multimodal Transcription and Text Analysis:A Multimedia Toolkit and Coursebook. London:Equinox, 2006
  • [9] Ensslin,A. Responsibility Narrative and Cybertextual de-intentionalisation:Kate Pullinger' s The Breathing Wall. London; New York:Routledge, 2009
  • [10] Fore,J.S. Extremely Loud & Incredibly Close. Boston:Mariner, 2005
  • [11] Gibbons,A. Multimodality,Cognition,and Experimental Literature. {H}London:Routledge, 2012
  • [12] Gibbons,A. Multimodal Metaphor. Language and Literature, 2011,1
  • [13] Gibbons,A. Narrative Worlds and Multimodal Figures in House of Leaves:Find Your Own words; I Have No More. Berlin:Walter de Gruyter, 2010
  • [14] Gibbons,A.I. Contain Multitudes:Narrative Multimodality and the Book That Bleeds. London;New York:Routledge, 2009
  • [15] Gibbons,A. Multimodal Literature "moves" Us:Dynamic Movement and Embodiment in VAS:An Opera In Flatland. HERMES-Journal of Language and Communication Studies, 2008
  • [16] Gibbons,A. Multimodality and Cognition:Reading Word and Image. Campobasso:Palladino, 2007
  • [17] Kress,G;van T.Leeuwen. Reading Images:The Grammar of Visual Design. {H}London:Routledge, 2006
  • [18] Kress,G;T.van Leeuwen. Multimodal Discourse:The Modes and Media of Contemporary Communication. {H}London:Arnold, 2001
  • [19] Kress,G;C.Jewitt. Multimodal Teaching and Learning:The Rhetorics of the science Classroom. London:Continuum, 2001
  • [20] Bell,A. The Possible worlds of Hypertext Fiction. Basingstoke:Palgrave Macmillan, 2010
  • [21] Kress,G. Literacy in the new Media Age. {H}London:Routledge, 2003
  • [22] Kukkonen,K. Textworlds and Metareference. 2008
  • [23] Lanham,R. The Electronic Word:Democracy,Technology and the Arts. {H}Chicago:The University of Chicago Press, 1993
  • [24] Danielewski,M.Z. House of Leaves. Pantheon Books, 2000
  • [25] McHale,B. Postmodernist Fiction. {H}London:Routledge, 1987
  • [26] Oatley,K. Writingandreading:The Future of Cognitive Poetics. {H}London:Routledge, 2003
  • [27] Pavani,G;Murray,M.M;C.Schroeder. E.Rethinking Mind,Brain and Behaviour Through a Multisensory Perspective. Neuropsychogia, 2006,3
  • [28] Gibbons,A. A Visual & Textual Labyrinth:The Eyes'Dilemma,Mark Z.Danielewski' s House of Leaves. Online Magazine, 2006
  • [29] Glenberg,A.M. Language and Action:Creating Sensible Combinations of Ideas. {H}Oxford:Oxford University Press, 2007
  • [30] Bateman,J.A. Multimodality and Genre:A Foundation for the Systematic Analysis of Multimodal Documents. Basingstoke:Palgrave Macmillan, 2008
  • [31] Herman,D. Word-image/utterance-gesture:Case studies in multimodal and Practices. London/New York:Routledge, 2009
  • [32] Herman,D. Story Logic:Problems and Possibilities of Narratives. Lincoln;London:University of Nebraska Press, 2002
  • [33] Herman,D. Textual You and Double Deixis in Edna O'Brien' s A Pagan Place. Style, 1994,3
  • [34] Herman,D. Cognitive Approaches to Narrative Analysis. Berlin:Mouton de Gruyter, 2009
  • [35] Hiraga,M.K. Metaphor and Iconicity:A Cognitive Approach to Analyzing Texts. New York:Palgrave Macmillan, 2005
  • [36] Jewitt,C. Technology,Literacy,Learning:A Multimodal Approach. {H}London:Routledge, 2005
  • [37] Jewitt,C;G.Kress. Multimodal Literacy. Oxford:Peter Lang, 2003
  • [38] Rawle,G. Woman' s World. London:Atlantic Books, 2005
  • [39] 王岳川. 后現(xiàn)代主義與中國(guó)當(dāng)代文化. {H}中國(guó)社會(huì)科學(xué), 1996,3
  • [40] 袁詮. 超文本小說(shuō)研究現(xiàn)狀分析. 華中師范大學(xué)學(xué)報(bào), 2007,2
  • [41] Mial,D.S;D.Kuiken. A Feeling for Fiction:Becoming What We Behold. Poetics, 2002,30
  • [42] 張屺. 交互敘事:數(shù)碼時(shí)代講故事的新策略. 東方叢刊, 2009,4
  • [43] Brunye,T.T;Ditman,T. When You and I Share Perspectives:Pronouns Modulate Perspective Taking During Narrative Comprehension. {H}Psychological Science, 2009,1
  • [44] Clowes,D. Ghost World. London:Jonathan Cape, 1999
  • [45] Emmott,C;Sanford,A.J;L.I.Morrow. Capturing the Attention of Readers? Stylistics and Psychological Perspectives on the Use and Effect of Text Fragmentation in Narratives. Journal of Literary Semantics, 2006,35
  • [46] 趙毅衡. 符號(hào)學(xué)原理與推演. {H}南京:南京大學(xué)出版社, 2011
  • [47] 朱贏(yíng)椿. 設(shè)計(jì)詩(shī). {H}桂林:廣西師范大學(xué)出版社, 2011
  • [48] Bolter,J.D;R.Grusin. Remediation:Understanding New Media. Cambridge,MA:MTI Press, 1999
  • [49] Stafford,T;M.Webb. Mind Hacks:Tips,Tools for Using Your Brain. Sebastopol,CA:O 'Reilly, 2005
  • [50] Bell,A. Do You Want to Hear About It? Exploring Possible Worlds in Michael Joyce' s Hyperfiction,Afternoon,A Story. London:Continuum, 2007
  • [51] Tomasula,S. VAS:An Opera in Flatland. {H}Chicago:The University of Chicago Press, 2002
  • [52] Thesen,T. Neuroimaging of Multisensory Processing in Vision,Auditon,Touch and Olfaction. Cognitive Processes, 2004,5
  • [53] van Leeuwen,T. Typographic Meaning. {H}VISUAL COMMUNICATION, 2005,2
  • [54] Whiteley,S. Text Theory and Emotional Experience of Literary Discourse. {H}謝菲爾德大學(xué), 2010
  • [55] 詹姆遜;王逢振. 現(xiàn)代性、后現(xiàn)代性和全球化. {H}北京:中國(guó)人民大學(xué)出版社, 2004
  • [56] 凌逾. 跨媒介敘事--論西西小說(shuō)新生態(tài). {H}北京:人民出版社, 2009
  • [57] 汪民安. 誰(shuí)是羅蘭@巴特. {H}南京:江蘇人民出版社, 2005
  • [58] Bell,A. The Possible worlds of Hypertext Fiction. {H}謝菲爾德大學(xué), 2006
  • 相似文獻(xiàn) 查看更多>>


      本文關(guān)鍵詞:交互敘事:數(shù)碼時(shí)代講故事的新策略,由筆耕文化傳播整理發(fā)布。



    本文編號(hào):239223

    資料下載
    論文發(fā)表

    本文鏈接:http://sikaile.net/wenyilunwen/wenxuell/239223.html


    Copyright(c)文論論文網(wǎng)All Rights Reserved | 網(wǎng)站地圖 |

    版權(quán)申明:資料由用戶(hù)465cc***提供,本站僅收錄摘要或目錄,作者需要?jiǎng)h除請(qǐng)E-mail郵箱bigeng88@qq.com