宗白華藝術(shù)學(xué)思想研究
發(fā)布時(shí)間：2018-10-10 09:49
【摘要】：宗白華是中國現(xiàn)代美學(xué)、文藝學(xué)、藝術(shù)學(xué)的奠基人之一。宗白華的思想在20世紀(jì)80年代中期逐漸成為學(xué)術(shù)研究的熱點(diǎn),引來眾多研究者的學(xué)術(shù)興趣,但是學(xué)界更注目他的美學(xué)思想,對他的藝術(shù)學(xué)思想的全面研究至今沒有力作產(chǎn)生。本文在唯物辯證法的指導(dǎo)下,運(yùn)用歷史的方法和理論聯(lián)系實(shí)際的方法對宗白華的藝術(shù)學(xué)思想作全面的闡釋,以幫助我們認(rèn)清宗白華藝術(shù)學(xué)有哪些方面的創(chuàng)獲,給予我們怎樣的啟示,更重要的是我們可以借此反思藝術(shù)學(xué)建設(shè)走過的歷程,克服我們自身的研究弊端,建構(gòu)二十一世紀(jì)的中國藝術(shù)學(xué)。 首先,闡釋宗白華藝術(shù)學(xué)思想的形成和發(fā)展,突出宗白華藝術(shù)學(xué)思想在各個(gè)時(shí)期的不同特點(diǎn),強(qiáng)調(diào)了他接受馬克思主義之后,為他的藝術(shù)學(xué)思想增加了新質(zhì)。 第二,主要闡釋宗白華藝術(shù)學(xué)思想的“形而上”原理,宗白華確立了自己具有民族特色的生命哲學(xué)體系,“道、氣、象、和”的四維結(jié)構(gòu)與時(shí)空意識構(gòu)成的生命哲學(xué)理論成為他生命哲學(xué)的基礎(chǔ)。“道”是他生命哲學(xué)的元點(diǎn);“氣”是他生命哲學(xué)的母體;“象”是他生命哲學(xué)的形態(tài);“和”是他生命哲學(xué)的至境,這是本文對宗白華生命哲學(xué)所作的獨(dú)特闡釋。時(shí)空意識是宇宙觀的重要組成部分,宗白華的時(shí)空意識是《周易》的時(shí)空觀和愛因斯坦的“四維空間”論的融合,愛因斯坦創(chuàng)立了相對論,批判了西方傳統(tǒng)的那種割裂時(shí)空,割裂物質(zhì)和空間的“靜止空間”,闡釋了他的“四維空間”理論,反復(fù)說明了空間和時(shí)間是物質(zhì)和場的載體,時(shí)空融合成為一個(gè)具有四維結(jié)構(gòu)的世界。愛因斯坦的四維空間是時(shí)空統(tǒng)一的,大大拓展了人們的思維空間,這種空間理論使得我們的觀察由空間的靜態(tài)轉(zhuǎn)向動(dòng)態(tài),具有重要的價(jià)值,宗白華吸取了愛因斯坦的這一時(shí)空觀,與中國的《周易》時(shí)空意識融合起來,形成了自己獨(dú)特的時(shí)空意識。 第三,主要闡釋宗白華藝術(shù)學(xué)思想體系的構(gòu)建,包括藝術(shù)學(xué)的研究對象和方法,藝術(shù)創(chuàng)造論、藝術(shù)欣賞論、藝術(shù)形式論、藝術(shù)價(jià)值論等內(nèi)容;其中分析了宗白華的藝術(shù)天才理論,認(rèn)為宗白華借鑒了康德、叔本華的觀點(diǎn)并有所超越。康德認(rèn)為天才具有想象的能力,獨(dú)創(chuàng)性是天才的第一特性,并認(rèn)為這種想象力是自然的天賦;宗白華借鑒了康德的理論,認(rèn)為藝術(shù)天才具有獨(dú)創(chuàng)的想象力,但不同于康德,他認(rèn)為這種想象力是藝術(shù)家日積月累后的突然貫通,并不是先天的稟賦,天才有待于勤苦的工作�？梢�,宗白華沒有完全照搬康德的觀點(diǎn),他在借鑒中有所超越,有所創(chuàng)見。叔本華認(rèn)為天才不同于普通人在于天才能擺脫意志,掌握理念,表現(xiàn)出一種對欲求沒有任何關(guān)系的認(rèn)識即純粹認(rèn)識,天才的智慧占多而意志
[Abstract]:Zong Baihua is one of the founders of Chinese modern aesthetics, literature and art. Zong Baihua's thought gradually became the hot spot of academic research in the middle of 1980s, which attracted the academic interest of many researchers, but the academic circles paid more attention to his aesthetic thought, so far, the comprehensive study of his artistic thought has not been produced. Under the guidance of materialist dialectics, this paper makes a comprehensive explanation of Zong Baihua's thought of art by using the historical method and the method of integrating theory with practice, in order to help us recognize the achievements of the art theory of Zong Baihua. What enlightens us more important is that we can reflect on the course of art construction, overcome the disadvantages of our own research, and construct Chinese art in the 21 ~ (th) century. First of all, it explains the formation and development of Zong Baihua's thought of art, highlights the different characteristics of Zong Baihua's thought of art in every period, and emphasizes that after he accepted Marxism, he added new quality to his thought of art. Second, it mainly explains the "metaphysical" principle of Zong Baihua's thought of art. Zong Baihua has established his own life philosophy system with national characteristics, "Tao, Qi, Xiang," The four-dimensional structure of "he" and the theory of life philosophy formed by space-time consciousness become the basis of his philosophy of life. Tao is the basic point of his philosophy of life; Qi is the mother body of his philosophy of life; "elephant" is the form of his philosophy of life; and "harmony" is the origin of his philosophy of life, which is the unique interpretation of Zong Baihua's philosophy of life in this paper. The space-time consciousness is an important part of the cosmology. Zong Baihua's space-time consciousness is a fusion of the space-time view of the "Book of changes" and Einstein's "four-dimensional space" theory. Einstein created the theory of relativity and criticized the splintered space-time of the western tradition. In this paper, the "static space" of material and space is separated, his theory of "four dimensional space" is explained, and it is repeatedly explained that space and time are carriers of matter and field, and space-time merges into a world with four-dimensional structure. Einstein's four-dimensional space is space-time unified, greatly expanding people's thinking space, this kind of space theory makes our observation from the static space to the dynamic, has the important value. Zong Baihua absorbed Einstein's idea of time and space and fused it with Chinese consciousness of time and space and formed his own special consciousness of time and space. Thirdly, it mainly explains the construction of Zong Baihua's thought system of art, including the research object and method of art, the theory of artistic creation, the theory of art appreciation, the theory of art form, the theory of art value and so on. It analyzes Zong Baihua's theory of artistic genius, and concludes that Zong Baihua draws lessons from Kant's and Schopenhauer's views and transcends them. Kant holds that genius has the ability to imagine and originality is the first characteristic of genius and that this imagination is a natural gift. Zong Baihua draws lessons from Kant's theory that artistic genius has original imagination but is different from Kant. He believes that this imagination is an artist after a sudden penetration, is not a congenital gift, genius has to work hard. Visible, Zong Baihua did not copy Kant's point of view completely, he has surmounted in drawing lessons from, have originality. Schopenhauer believes that genius is different from ordinary people in their ability to get rid of the will, to master the idea, and to show a kind of understanding that has nothing to do with desire, that is, pure knowledge. The genius has more wisdom than will.
【學(xué)位授予單位】：山東師范大學(xué)
【學(xué)位級別】：博士
【學(xué)位授予年份】：2006
【分類號】：J01
本文編號：2261313
[Abstract]:Zong Baihua is one of the founders of Chinese modern aesthetics, literature and art. Zong Baihua's thought gradually became the hot spot of academic research in the middle of 1980s, which attracted the academic interest of many researchers, but the academic circles paid more attention to his aesthetic thought, so far, the comprehensive study of his artistic thought has not been produced. Under the guidance of materialist dialectics, this paper makes a comprehensive explanation of Zong Baihua's thought of art by using the historical method and the method of integrating theory with practice, in order to help us recognize the achievements of the art theory of Zong Baihua. What enlightens us more important is that we can reflect on the course of art construction, overcome the disadvantages of our own research, and construct Chinese art in the 21 ~ (th) century. First of all, it explains the formation and development of Zong Baihua's thought of art, highlights the different characteristics of Zong Baihua's thought of art in every period, and emphasizes that after he accepted Marxism, he added new quality to his thought of art. Second, it mainly explains the "metaphysical" principle of Zong Baihua's thought of art. Zong Baihua has established his own life philosophy system with national characteristics, "Tao, Qi, Xiang," The four-dimensional structure of "he" and the theory of life philosophy formed by space-time consciousness become the basis of his philosophy of life. Tao is the basic point of his philosophy of life; Qi is the mother body of his philosophy of life; "elephant" is the form of his philosophy of life; and "harmony" is the origin of his philosophy of life, which is the unique interpretation of Zong Baihua's philosophy of life in this paper. The space-time consciousness is an important part of the cosmology. Zong Baihua's space-time consciousness is a fusion of the space-time view of the "Book of changes" and Einstein's "four-dimensional space" theory. Einstein created the theory of relativity and criticized the splintered space-time of the western tradition. In this paper, the "static space" of material and space is separated, his theory of "four dimensional space" is explained, and it is repeatedly explained that space and time are carriers of matter and field, and space-time merges into a world with four-dimensional structure. Einstein's four-dimensional space is space-time unified, greatly expanding people's thinking space, this kind of space theory makes our observation from the static space to the dynamic, has the important value. Zong Baihua absorbed Einstein's idea of time and space and fused it with Chinese consciousness of time and space and formed his own special consciousness of time and space. Thirdly, it mainly explains the construction of Zong Baihua's thought system of art, including the research object and method of art, the theory of artistic creation, the theory of art appreciation, the theory of art form, the theory of art value and so on. It analyzes Zong Baihua's theory of artistic genius, and concludes that Zong Baihua draws lessons from Kant's and Schopenhauer's views and transcends them. Kant holds that genius has the ability to imagine and originality is the first characteristic of genius and that this imagination is a natural gift. Zong Baihua draws lessons from Kant's theory that artistic genius has original imagination but is different from Kant. He believes that this imagination is an artist after a sudden penetration, is not a congenital gift, genius has to work hard. Visible, Zong Baihua did not copy Kant's point of view completely, he has surmounted in drawing lessons from, have originality. Schopenhauer believes that genius is different from ordinary people in their ability to get rid of the will, to master the idea, and to show a kind of understanding that has nothing to do with desire, that is, pure knowledge. The genius has more wisdom than will.
【學(xué)位授予單位】：山東師范大學(xué)
【學(xué)位級別】：博士
【學(xué)位授予年份】：2006
【分類號】：J01
【引證文獻(xiàn)】
相關(guān)博士學(xué)位論文 前1條
1 張路平;蔡龍?jiān)莆鋵W(xué)思想研究[D];上海體育學(xué)院;2011年
相關(guān)碩士學(xué)位論文 前3條
1 于m8;中國現(xiàn)代美學(xué)中“藝術(shù)”概念的演變[D];四川師范大學(xué);2009年
2 趙靖;論宗白華詩畫美學(xué)思想[D];沈陽師范大學(xué);2012年
3 孟德鴻;宋代植物紋飾意蘊(yùn)研究[D];齊齊哈爾大學(xué);2012年
，本文編號：2261313
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