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極簡主義在西安地鐵站公共藝術(shù)中的研究

發(fā)布時間:2018-09-14 17:48
【摘要】:處于當前經(jīng)濟快速發(fā)展、社會科技發(fā)達的世界,各個領域的開發(fā)和建設都逐漸趨于理性化、規(guī)范化。具有開放、公開特質(zhì)的、由公眾自由參與和認同的公共性空間也因人們的活動范圍擴大而受到人們的關(guān)注和研究,而公共藝術(shù)所指的正是這種公共開放空間中的藝術(shù)創(chuàng)作與相應的環(huán)境設計。地鐵站臺作為典型的公共環(huán)境,對于其中公共藝術(shù)的研究和應用自然也成為城市建設的重要環(huán)節(jié)。地鐵站作為展示城市風貌的形象窗口,良好的設計及和諧的建設能夠體現(xiàn)城市的歷史風貌和城市地位,對于西安而言,完善成熟的公共藝術(shù)也是其打造現(xiàn)代化國際都市形象的重要環(huán)節(jié)。本文以西安城市地鐵作為研究對象,針對二號線的公共藝術(shù),提出將極簡主義藝術(shù)風格和城市公共藝術(shù)建設相結(jié)合的設想。具體圍繞以下幾個方面展開論述:本文首先以極簡主義在社會、經(jīng)濟、科學及技術(shù)等方面的發(fā)展作為研究的出發(fā)點,,指出極簡主義形成的必然性,并對繪畫、雕塑領域中極簡主義的藝術(shù)創(chuàng)作發(fā)展進行梳理。其次梳理了公共藝術(shù)的概念,并且重點闡釋地鐵站公共藝術(shù)的特點及表現(xiàn)形式,以及國內(nèi)外地鐵站建設中的經(jīng)驗和特色。再次通過對比分析和實地考察調(diào)研等研究方式,圍繞西安地鐵站公共藝術(shù)這一重點進行分析,研究西安地鐵站的公共藝術(shù),對極簡主義創(chuàng)作手法應用現(xiàn)狀及存在的問題進行分析,認為在地鐵站內(nèi)公共藝術(shù)的設計和建設中,采取極簡主義的創(chuàng)作方式是完全可行且具有優(yōu)勢的。最后試圖對西安地鐵公共藝術(shù)設施的創(chuàng)作手法提出一些建議,從而建立更為直接和直觀的研究。如今,我國經(jīng)濟正處于高速發(fā)展狀態(tài),地鐵建設成為進行城市化建設中重要一環(huán),而當前西安地鐵各個線路的建設也在進行之中,希望通過本文對極簡主義的研究,采取理論設想和實際調(diào)研結(jié)合的方法,為西安地鐵公共藝術(shù)設施設計提供有力的理論支撐,為我國地鐵公共藝術(shù)設計創(chuàng)作的形態(tài)設計提供參考意見。
[Abstract]:In the world of rapid economic development and advanced social science and technology, the development and construction of various fields are gradually rationalized and standardized. The public space, which has the characteristics of openness and is freely participated and recognized by the public, has also attracted people's attention and research because of the expansion of the scope of people's activities. The public art refers to the artistic creation and the corresponding environmental design in the public open space. As a typical public environment, the research and application of public art has become an important part of urban construction. As the image window of showing the city's style, the subway station can reflect the historical style and the city status of the city with good design and harmonious construction. For Xi'an, This article takes Xi'an city subway as the research object, aiming at the public art of the second line, puts forward the idea of combining minimalist art style with urban public art construction. In this paper, the development of minimalism in the social, economic, scientific and technological aspects as the starting point of the study, pointing out the inevitability of the formation of minimalism, and painting, Secondly, it combs the concept of public art, and explains the characteristics and forms of public art in subway stations, as well as the experience and characteristics in the construction of subway stations at home and abroad. Again, through comparative analysis and field investigation and other research methods, around the Xi'an subway station public art, the focus of this analysis, the study of Xi'an subway station public art, Based on the analysis of the present situation and existing problems of minimalist creative techniques, it is concluded that in the design and construction of public art in subway stations, it is feasible and advantageous to adopt minimalist creative methods. Finally, some suggestions are put forward for the creation of Xi'an subway public art facilities, so as to establish a more direct and intuitive study. At present, the economy of our country is in the state of rapid development, subway construction has become an important link in the construction of urbanization, and the construction of each subway line in Xi'an is also in progress. I hope that through the study of minimalism in this paper, The method of combining theoretical assumption and practical investigation is adopted to provide strong theoretical support for the design of Xi'an subway public art facilities, and to provide reference for the form design of China's subway public art design.
【學位授予單位】:西安建筑科技大學
【學位級別】:碩士
【學位授予年份】:2013
【分類號】:J0

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