設(shè)計理論的文化之維
發(fā)布時間：2018-07-17 08:13
【摘要】： 設(shè)計處于開放的文化關(guān)系之中。一個設(shè)計作品，，有其實存的現(xiàn)實性意義，它總是植根于社會歷史與文化之中。這種情況下，設(shè)計學科研究尤其需要擴大視野，綜合考量，尋求通途，用某種方式把歷史的、心理學的、社會學的、美學的等各種不同的觀點聯(lián)結(jié)起來。很容易地發(fā)現(xiàn)，這種理想的方式，非設(shè)計之文化維度莫屬。本論文的研究內(nèi)容是設(shè)計的文化維度的基礎(chǔ)性理論探討，重點包括梳理基本涉及的概念以及相互關(guān)系，關(guān)鍵問題是：首先思維基礎(chǔ)要建立在“擴大認識論”的層面來看待設(shè)計理論，消解結(jié)構(gòu)主義背景影響下人類思想中存在著的科學的“獨白”式邏輯來單維度談設(shè)計問題和西方古典闡釋學影響下的黑格爾“辨證”式邏輯來靜止的談設(shè)計問題，筆者站在解構(gòu)主義思潮或說是后現(xiàn)代語境中產(chǎn)生的接受美學觀點，開放性的尊重理解、“對話”式邏輯的立場上來探討當下在開放的空間中設(shè)計之搭檔活動哲學。 誠然，當論文不斷深入推進，筆者發(fā)現(xiàn)此論文也是立足于人文科學邏輯上的設(shè)計人類學疆界視域之探討，也可說是設(shè)計藝術(shù)治療學向度的基礎(chǔ)論證。
[Abstract]:Design is in an open cultural relationship. A design work, which has realistic meaning, is always rooted in social history and culture. In this case, it is especially necessary to broaden the field of vision, comprehensive consideration, search for a path, in some way to connect the historical, psychological, sociological, aesthetic, and other different points of view. It is easy to see that the ideal way is the cultural dimension of design. The research content of this thesis is the basic theoretical discussion of the cultural dimension of design, including combing the basic concepts involved and the relationship between them. The key question is: first of all, the basis of thinking should be based on the "expanded epistemology" to view design theory. Dispelling the scientific "monologue" logic existing in human thought under the influence of structuralism, to discuss the design problem in single dimension and the Hegel dialectical logic under the influence of western classical hermeneutics to discuss the design problem at rest. The author discusses the philosophy of partner activities in the open space on the basis of the view of reception aesthetics, the open respect and understanding, and the logic of "dialogue" in the context of deconstruction or post-modern context. It is true that when the thesis goes further and further, the author finds that this paper is based on the field of view of design anthropology based on the logic of humanities, and it can also be said to be the basic argument of the direction of design art therapeutics.
【學位授予單位】：西南交通大學
【學位級別】：碩士
【學位授予年份】：2007
【分類號】：J06
本文編號：2129753
[Abstract]:Design is in an open cultural relationship. A design work, which has realistic meaning, is always rooted in social history and culture. In this case, it is especially necessary to broaden the field of vision, comprehensive consideration, search for a path, in some way to connect the historical, psychological, sociological, aesthetic, and other different points of view. It is easy to see that the ideal way is the cultural dimension of design. The research content of this thesis is the basic theoretical discussion of the cultural dimension of design, including combing the basic concepts involved and the relationship between them. The key question is: first of all, the basis of thinking should be based on the "expanded epistemology" to view design theory. Dispelling the scientific "monologue" logic existing in human thought under the influence of structuralism, to discuss the design problem in single dimension and the Hegel dialectical logic under the influence of western classical hermeneutics to discuss the design problem at rest. The author discusses the philosophy of partner activities in the open space on the basis of the view of reception aesthetics, the open respect and understanding, and the logic of "dialogue" in the context of deconstruction or post-modern context. It is true that when the thesis goes further and further, the author finds that this paper is based on the field of view of design anthropology based on the logic of humanities, and it can also be said to be the basic argument of the direction of design art therapeutics.
【學位授予單位】：西南交通大學
【學位級別】：碩士
【學位授予年份】：2007
【分類號】：J06
【引證文獻】
相關(guān)碩士學位論文 前1條
1 劉幗君;基于文化之維的日用品再設(shè)計研究[D];江南大學;2009年
本文編號：2129753
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