本文選題：圖像繪畫(huà) + 符號(hào)繪畫(huà)　； 參考：《吉林藝術(shù)學(xué)院》2013年碩士論文

【摘要】：在中國(guó)當(dāng)代藝術(shù)的發(fā)展中出現(xiàn)了進(jìn)退兩難的境地，一方面是現(xiàn)代的圖像繪畫(huà)、符號(hào)繪畫(huà)。另一方面仍然停留在現(xiàn)實(shí)主義與表現(xiàn)主義繪畫(huà)。這種困境歸根結(jié)底是方法論的問(wèn)題。 而“格哈德·里希特”是世界最知名并且最具影響力的當(dāng)代藝術(shù)家之一，他對(duì)中國(guó)當(dāng)代藝術(shù)產(chǎn)生了深刻的影響，眾多當(dāng)代藝術(shù)家在創(chuàng)作觀念及技術(shù)層面上都受到了里希特的影響，對(duì)里希特的形式語(yǔ)言及色彩語(yǔ)言進(jìn)行深入的解析，并對(duì)其對(duì)于中國(guó)當(dāng)代藝術(shù)發(fā)展的推進(jìn)作用做出闡釋?zhuān)钱?dāng)代藝術(shù)界非常關(guān)注的。他成功的提示了中國(guó)當(dāng)代藝術(shù)家們創(chuàng)作方法論的重要性，，不讓要盲目的追捧與模仿，不要只注意藝術(shù)創(chuàng)作的表像象征，不要忽略其創(chuàng)作的內(nèi)在邏輯。要真真正正的去研究、去關(guān)注。他在向人們述說(shuō)一種新的視覺(jué)角度與學(xué)習(xí)方式。
[Abstract]:In the development of Chinese contemporary art, there is a dilemma, on the one hand, modern image painting, symbol painting. On the other hand, it still stays in realism and expressionism painting. This dilemma is ultimately a matter of methodology. Gerhard Richter is one of the most famous and influential contemporary artists in the world. Many contemporary artists have been influenced by Richter in their creative ideas and techniques. The formal language and color language of Richter have been deeply analyzed, and their role in promoting the development of Chinese contemporary art has been explained. It is of great concern to the contemporary art community. He successfully reminds the Chinese contemporary artists of the importance of creative methodology, so that we should not blindly pursue and imitate, do not only pay attention to the figurative symbol of artistic creation, do not ignore the internal logic of its creation. To really study, to pay attention to. He is telling people about a new visual angle and learning style.
【學(xué)位授予單位】：吉林藝術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類(lèi)號(hào)】：J05

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 王炳根;;中國(guó)當(dāng)代藝術(shù)新浪潮:理念性繪畫(huà)[J];美術(shù)教育研究;2011年05期

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