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伊格爾頓文學(xué)生產(chǎn)理論解析

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  本文選題:伊格爾頓 + 文學(xué)生產(chǎn); 參考:《黑龍江大學(xué)》2008年碩士論文


【摘要】: 伊格爾頓從經(jīng)濟(jì)基礎(chǔ)和上層建筑兩個(gè)層面來分析“文學(xué)生產(chǎn)”問題,認(rèn)為文學(xué)、藝術(shù)不僅是意識(shí)形態(tài),而且它本身也是一種生產(chǎn),與其他社會(huì)生產(chǎn)形式存在著密切而復(fù)雜的關(guān)系,并逐步由“文學(xué)生產(chǎn)”理論擴(kuò)展為“文化生產(chǎn)”理論研究,深化了對(duì)西方馬克思主義的理解,拓寬了西方馬克思主義的研究視域。本文分三個(gè)部分: 第一部分對(duì)伊格爾頓文學(xué)生產(chǎn)理論的理論淵源進(jìn)行了分析。本文認(rèn)為,伊格爾頓的文學(xué)生產(chǎn)理論是在吸收、借鑒馬克思的生產(chǎn)理論、威廉斯的文化唯物主義、阿爾都塞的意識(shí)形態(tài)理論和本雅明的藝術(shù)生產(chǎn)理論基礎(chǔ)上對(duì)文學(xué)實(shí)踐活動(dòng)進(jìn)行生產(chǎn)分析的理論。 第二部分從文學(xué)生產(chǎn)概念、方式、要素、本質(zhì)以及價(jià)值判斷等五個(gè)方面全面分析和闡釋了伊格爾頓文學(xué)生產(chǎn)理論的主要內(nèi)容。伊格爾頓通過研究作為生產(chǎn)的文學(xué)與作為意識(shí)形態(tài)的文學(xué)之間的關(guān)系,從經(jīng)濟(jì)基礎(chǔ)和上層建筑兩個(gè)層面來分析“文學(xué)生產(chǎn)”問題;通過探討“文學(xué)生產(chǎn)方式”與“一般生產(chǎn)方式”的關(guān)系,揭示出“文學(xué)生產(chǎn)方式”的實(shí)質(zhì)是文學(xué)生產(chǎn)力和文學(xué)生產(chǎn)的社會(huì)關(guān)系的統(tǒng)一;伊格爾頓提出了文學(xué)生產(chǎn)的六個(gè)要素,認(rèn)為“文學(xué)生產(chǎn)過程”表現(xiàn)為一種非常復(fù)雜的一般生產(chǎn)方式、文學(xué)生產(chǎn)方式、一般意識(shí)形態(tài)、文學(xué)意識(shí)形態(tài)以及生產(chǎn)者和消費(fèi)者個(gè)人意識(shí)形態(tài)等多重結(jié)構(gòu)交匯組合的關(guān)系,文學(xué)生產(chǎn)的本質(zhì)是“審美意識(shí)形態(tài)”生產(chǎn);最后伊格爾頓闡釋了文學(xué)生產(chǎn)的價(jià)值判斷問題,說明“歷史”間接進(jìn)入文本,文學(xué)生產(chǎn)價(jià)值與作者世界觀不總一致,他最終由讀者在閱讀生產(chǎn)過程中讀入文本。 第三部分闡釋了伊格爾頓文學(xué)生產(chǎn)理論的意義與限度。伊格爾頓從文學(xué)生產(chǎn)層面繼承和發(fā)展了馬克思主義哲學(xué),拓寬了西方馬克思主義哲學(xué)的研究視域,這種以生產(chǎn)方式為基礎(chǔ)的文化生產(chǎn)理論是對(duì)文化相對(duì)主義或唯文化論的有力抵抗。同時(shí),伊格爾頓的文學(xué)生產(chǎn)理論忽視了文學(xué)創(chuàng)作的審美特性,忽略了無意識(shí)因素對(duì)意識(shí)形態(tài)的影響。
[Abstract]:Eagleton analyses the problem of "literary production" from two levels of economic base and superstructure, and thinks that literature is not only ideology, but also a kind of production itself. There is a close and complicated relationship with other forms of social production, and it is gradually extended from "literature production" to "cultural production". It deepens the understanding of Western Marx doctrine and broadens the research horizon of Western Marx doctrine. This article is divided into three parts:
The first part analyses the theoretical origin of Eagleton's theory of literature production. This article holds that Eagleton's literary production theory is based on the absorption of Marx's theory of production, Williams's cultural materialism, Al Du Jose's ideology theory and Walter Benjamin's art production theory. The theory of production analysis.
The second part analyzes and explains the main content of Eagleton's theory of literature production from five aspects of the concept, mode, element, essence and value judgment of literary production. Eagleton analyses the relationship between literature of production as the literature of ideology and the two aspects of the economic base and superstructure through the study. The question of "literary production", by discussing the relationship between "literary production mode" and "general production mode", reveals that the essence of "literary production mode" is the unity of the social relations between literary productive forces and literary production; Eagleton puts forward six elements of literary production, and holds that "the process of literary production" is a very very kind. The complex general mode of production, the mode of literary production, the general ideology, the ideology of literature and the combination of the multiple structures of the producer and consumer's individual ideology, the essence of the production of literature is the production of "aesthetic ideology"; finally, Eagleton explains the value judgment of literary production, and explains the history of "history". Indirectly, the value of literary production does not always agree with the author's world view. He eventually reads the text in the process of reading production.
The third part explains the meaning and limit of Eagleton's theory of literary production. Eagleton inherited and developed the Marx philosophy from the level of literary production, widened the research horizon of Western Marx philosophy, and this theory of production based on production is a powerful approach to cultural relativism or culture theory. At the same time, Eagleton's literary production theory neglects the aesthetic characteristics of literary creation, neglecting the influence of unconscious factors on ideology.
【學(xué)位授予單位】:黑龍江大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2008
【分類號(hào)】:I0

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