本文選題：中國當代藝術(shù)市場 + 藝博會�。� 參考：《南京師范大學》2008年碩士論文

【摘要】： 中國當代藝術(shù)市場發(fā)展至今,經(jīng)歷了十年的慘淡、痛苦與迷茫。如今,我們終于迎來了當代藝術(shù)繁榮的一天。中國,終于躋身到了全球藝術(shù)市場的行列之中。北京、上海、廣州,各類藝博會和展覽高潮迭起,中國當代藝術(shù)作品的價格在2006年已經(jīng)翻了十倍,2007年更是牛氣沖天,從春拍會開始一路創(chuàng)新紀錄,出現(xiàn)了能與世界比肩的當代藝術(shù)家和藝術(shù)作品。有人形容中國當代藝術(shù)市場上演了一出“瘋狂的石頭”,也有人認為當代藝術(shù)市場泡沫太多,擔心重蹈臺灣,日本藝術(shù)市場崩盤覆轍。那么,在當代藝術(shù)市場繁華的背后,隱藏的到底是榮譽還是危機?日前,當代藝術(shù)市場浮躁之風日盛,當代藝術(shù)展覽數(shù)不勝數(shù),內(nèi)容卻大同小異,制作粗糙;當代藝術(shù)家們熱衷于在市場中搏殺,在各類宣傳和展覽中疲于奔命,創(chuàng)作激情卻日漸消褪,作品蒼白無力;當代藝術(shù)批評家們放下了對學術(shù)的真誠,成為了市場宣傳和造勢的搖旗者……如果說藝術(shù)市場化是當今全球化前提下的必然選擇,那么,從長遠來講,如果我們要讓中國當代藝術(shù)屹立世界,長期穩(wěn)定地發(fā)展下去,中國當代藝術(shù)市場必須進入良性發(fā)展的軌道。藝術(shù)家、畫廊、策展人、美術(shù)館、批評家等藝術(shù)市場的重要構(gòu)成部分都必須洗盡浮華,本著對歷史、對未來負責的態(tài)度,為打造一個健康積極的有世界影響力的東方重鎮(zhèn)而付出更多努力。
[Abstract]:The development of Chinese contemporary art market has experienced ten years of dismal, painful and confused. Now, we have finally ushered in a prosperous day of contemporary art. China has finally entered the ranks of the global art market. In Beijing, Shanghai, Guangzhou, art fairs and exhibitions of all kinds, the price of Chinese contemporary works of art has increased tenfold in 2006, and in 2007, it is even more bullish. Since the Spring Festival, it has been creating new records all the way. The emergence of contemporary artists and works of art that can match those of the world. Some describe China's contemporary art market as a "crazy rock", while others say the market has too many bubbles, fearing a repeat of Taiwan's and Japan's collapse. So, in the contemporary art market behind the prosperous, hidden in the end is honor or crisis? A few days ago, the market for contemporary art became increasingly impetuous, and contemporary art exhibitions were numerous, but the contents were mostly the same, and the production was rough. Contemporary artists were keen to fight in the market and were tired of running through all kinds of publicity and exhibitions. The creative passion is fading and the works are weak. The contemporary art critics have put aside their sincerity to the academic and become the flag shakers of the market propaganda and momentum. If it is said that art marketization is an inevitable choice under the premise of today's globalization, then, in the long run, if we want to allow Chinese contemporary art to stand firm in the world, it will continue to develop steadily for a long time. China's contemporary art market must enter the track of benign development. Artists, galleries, curators, galleries, critics, and other important components of the art market must be flamboyant and responsible for history and the future. Do more to create a healthy, active and influential eastern city.
【學位授予單位】：南京師范大學
【學位級別】：碩士
【學位授予年份】：2008
【分類號】：J124

【引證文獻】

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本文編號：1977893