本文選題：意境 + 韻味�。� 參考：《新疆大學(xué)》2007年碩士論文

【摘要】： 意境理論作為中國(guó)古典文論的一個(gè)范疇,前人對(duì)于意境理論從多個(gè)角度進(jìn)行了研究。如意境與文學(xué)或文論自身的關(guān)系,意境與哲學(xué)的關(guān)系,意境與佛教特別是禪宗關(guān)系,意境與現(xiàn)當(dāng)代文學(xué),現(xiàn)當(dāng)代文藝?yán)碚搮R通等。對(duì)意境研究的拓展和深入從一個(gè)側(cè)面體現(xiàn)了中國(guó)古代文論范疇意義的豐厚,體現(xiàn)了中國(guó)古代文論范疇具有被闡釋的多種可能性。作為理論的特殊價(jià)值,“意境”已經(jīng)被納入現(xiàn)當(dāng)代文藝?yán)碚摗?本文試就意境理論的生成作一個(gè)盡量綜合的研究,從它形成的文學(xué)理論內(nèi)部和外部環(huán)境歷史發(fā)展著手,對(duì)意境理論的孕育、形成、發(fā)展作一個(gè)比較全面的探討,以便對(duì)意境理論有一個(gè)更為深刻的認(rèn)識(shí)。意境理論是詩歌發(fā)展到一定階段才開始出現(xiàn)的,它主要是對(duì)古詩格律體創(chuàng)作實(shí)踐的理論總結(jié)。理論總是跟隨在實(shí)踐后面,直到唐代大量古詩格律體的創(chuàng)作實(shí)踐之后,意境理論逐漸形成。而且一種新的理論一旦產(chǎn)生之后,同一時(shí)代或不同時(shí)代的理論家往往會(huì)延用同一范疇并賦予其一定的新意。意境理論在其文學(xué)理論內(nèi)部也經(jīng)歷了這樣一個(gè)從孕育到形成,發(fā)展的一個(gè)過程。劉勰“意象論”已經(jīng)對(duì)意境特征作了最早理論概括。此后,王昌齡提出“意境”概念,皎然提出“取境”,司空?qǐng)D“韻味”說,對(duì)意境的特征,意境的創(chuàng)造及創(chuàng)造時(shí)的角度都做了補(bǔ)充。嚴(yán)羽“興趣”說,王士禎“神韻”說對(duì)意境理論的美學(xué)特征作了深入研究。直到王國(guó)維“境界”,從詩人,作品,讀者三個(gè)方面對(duì)意境內(nèi)涵作了說明,并把意境作為文學(xué)批評(píng)的尺度。意境理論此時(shí)具備了較完整的理論形態(tài)。 意境理論同時(shí)還是在各種文化思潮的影響下才生成的。中國(guó)的儒學(xué)、道家思想,從思維、觀念上促成意境理論的生成,傳入中國(guó)的佛學(xué)及佛學(xué)本土化后的禪宗思想也給了意境理論有益的借鑒。正是在這種文化化合作用下,意境理論成為了中國(guó)古代文學(xué)理論中的最高審美范疇,意境理論在新的歷史時(shí)期仍有指導(dǎo)創(chuàng)作實(shí)踐的意義,隨著時(shí)代發(fā)展,將賦予意境理論以新的內(nèi)涵。意境理論的生成是一個(gè)動(dòng)態(tài)的過程,它還將繼續(xù)發(fā)展。
[Abstract]:As a category of Chinese classical literary theory, the theory of artistic conception has been studied from many angles. Such as the relationship between artistic conception and literature or literary theory, between artistic conception and philosophy, between artistic conception and Buddhism, especially Zen Buddhism, between artistic conception and contemporary literature, and between modern and contemporary literary theories, etc. The development and deepening of the study of artistic conception reflects the rich significance of the category of ancient Chinese literary theory and the possibility of interpretation of the category of ancient Chinese literary theory. As the special value of theory, artistic conception has been incorporated into contemporary literary theory. This paper tries to make a comprehensive study on the formation of artistic conception theory, starting with the historical development of its internal and external environment, and making a more comprehensive discussion on the gestation, formation and development of artistic conception theory. In order to have a deeper understanding of artistic conception theory. The artistic conception theory, which is mainly a theoretical summary of the practice of ancient poetry's rhythmic creation, only began to appear at a certain stage of the development of poetry. The theory always follows the practice, until after the creation practice of a large number of ancient poems in Tang Dynasty, the artistic conception theory gradually formed. And once a new theory comes into being, the theorists of the same era or different times tend to extend the same category and endow it with certain new ideas. The theory of artistic conception has also experienced such a process from gestation to formation and development in its literary theory. Liu Xie's "Image Theory" has made the earliest theoretical summary of artistic conception characteristics. Since then, Wang Changling put forward the concept of "artistic conception", Jiao ran put forward the concept of "taking the boundary" and the theory of "charm", which supplemented the characteristics of artistic conception, the creation of artistic conception and the angle of creation. Yan Yu's theory of interest and Wang Shizhen's theory of charm deeply study the aesthetic characteristics of artistic conception theory. Until Wang Guowei's "realm", it explains the connotation of artistic conception from three aspects: poet, work and reader, and regards artistic conception as the criterion of literary criticism. At this time, the artistic conception theory has a relatively complete theoretical form. At the same time, the theory of artistic conception is produced under the influence of various cultural trends. Chinese Confucianism, Taoism, thinking and ideas contributed to the formation of the artistic conception theory, and the Buddhism and Zen thought after the localization of Buddhism also gave beneficial reference to the artistic conception theory. It is under this combination of culture that the artistic conception theory has become the highest aesthetic category in the ancient Chinese literature theory, and the artistic conception theory still has the significance of guiding the creative practice in the new historical period, and develops with the times. The theory of artistic conception will be endowed with new connotations. The formation of artistic conception theory is a dynamic process, it will continue to develop.
【學(xué)位授予單位】：新疆大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2007
【分類號(hào)】：I01

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 秦歡;從《周易》看意境的生成[D];遼寧大學(xué);2010年

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本文編號(hào)：1860778