本文選題：世界之軸 + 思維模式�。� 參考：《東北師范大學(xué)》2008年碩士論文

【摘要】： 諾思洛普·弗萊(Northrop Frye ,1912——1991)是加拿大也是英語(yǔ)國(guó)家20世紀(jì)最著名的文學(xué)批評(píng)家之一。20世紀(jì)八十年代以來,隨著國(guó)內(nèi)學(xué)術(shù)界對(duì)原型批評(píng)理論的關(guān)注,弗萊作為原型理論的主要代表人物逐漸進(jìn)入學(xué)者們的研究視野,尤其是近幾年我國(guó)的弗萊研究已開始與國(guó)際弗萊研究接軌,并取得了巨大成就。但是,僅僅站在某一流派的狹窄視域來考察弗萊這樣一位著述甚豐,學(xué)術(shù)歷程漫長(zhǎng)的批評(píng)家是遠(yuǎn)遠(yuǎn)不夠的。為此,筆者試圖結(jié)合弗萊獨(dú)特的宗教背景和學(xué)術(shù)經(jīng)歷,通過對(duì)其思維模式的把握,來探究其整個(gè)文學(xué)批評(píng)理論和批評(píng)實(shí)踐。 本論文的出發(fā)點(diǎn)是從弗萊對(duì)英國(guó)詩(shī)人威廉·布萊的研究入手,在研究布萊克的過程中,弗萊發(fā)現(xiàn)正是“世界之軸”的精神結(jié)構(gòu)將《圣經(jīng)》隱喻系統(tǒng)與文學(xué)隱喻系統(tǒng)統(tǒng)一起來。由此,弗萊依據(jù)這一精神結(jié)構(gòu),形成了其感知世界和理解上帝的獨(dú)特方式,并將想象力作為其理論的核心推置至高無(wú)上的地位。弗萊的全部文學(xué)理論都是建立在以“世界之軸”為基礎(chǔ)的思維模式之上的,“世界之軸”既形成了弗萊文學(xué)批評(píng)的概念框架,又建構(gòu)了弗萊文學(xué)批評(píng)的文化背景。因此在弗萊學(xué)術(shù)生涯的后期,他將全部精力都投入到對(duì)“世界之軸”的源頭——《圣經(jīng)》的研究中去。弗萊對(duì)西方文學(xué)本源的研究不僅展示了《圣經(jīng)》自身內(nèi)部結(jié)構(gòu)的同一性,還探究了《圣經(jīng)》與西方文學(xué)的同一性。另外,弗萊對(duì)西方文學(xué)作品的批評(píng)實(shí)踐也構(gòu)成了一種以“世界之軸”為框架,由具體作家、作品組織起來的“原型宇宙”文學(xué)演變史。 這篇論文的目標(biāo)就是要從思維模式的角度來研究弗萊的文學(xué)批評(píng)理論和文學(xué)批評(píng)實(shí)踐。弗萊的全部思想之所以都以“世界之軸”的精神結(jié)構(gòu)為邏輯起點(diǎn),就在于這種源自創(chuàng)世神話的宇宙模式對(duì)人類世界作了全面的觀照,包容了一切人類關(guān)心的終極問題。這就為弗萊提供了一個(gè)縱深的眼光,使他能夠在作為一個(gè)整體的文明中觀照文學(xué)。正是在這個(gè)意義上,我們才認(rèn)為弗萊是現(xiàn)代和后現(xiàn)代之間承上啟下的重要人物,高踞于自己時(shí)代之上的巨人。
[Abstract]:Northrop Frye (1912-1991) is one of Canada's most famous literary critics in the 20th century. Fry, as the main representative of archetype theory, has gradually entered the research field of scholars, especially in recent years, the study of Frye in China has begun to connect with the international research on Frye, and has made great achievements. However, it is far from enough for a critic with a long academic history to study Fry from a narrow perspective of a certain school. Therefore, the author tries to explore his whole theory and practice of literary criticism through the understanding of his mode of thinking in the light of Fry's unique religious background and academic experience. The starting point of this thesis is to start with Frye's study of British poet William Bly. In the course of studying Blake, Frye finds that it is the spiritual structure of the Axis of the World that unifies the metaphor system of the Bible and the system of literary metaphor. Thus, according to this spiritual structure, Frye formed his unique way of perceiving the world and understanding God, and placed imagination as the core of his theory. All of Frye's literary theories are based on the mode of thinking based on the axis of the world, which not only forms the conceptual framework of Frye's literary criticism, but also constructs the cultural background of Fry's literary criticism. So later in his academic career, he devoted all his energy to the study of the source of the Axis of the World, the Bible. Frye's study of the origin of Western literature not only shows the identity of the internal structure of Bible, but also explores the identity between Bible and Western literature. In addition, Frye's criticism of Western literary works also constitutes a literary evolution history of the "prototype Universe", which is organized by specific writers and works within the framework of "the Axis of the World". The aim of this thesis is to study Frye's literary criticism theory and literary criticism practice from the perspective of thinking mode. The logical starting point of Frye's whole thought is that the cosmic model, which originated from the creation myth, takes the spiritual structure of "the Axis of the World" as the logical starting point, and it contains all the ultimate problems concerned by mankind. This provides Fry with a deep insight into literature in a civilization as a whole. It is in this sense that we consider Fry to be an important figure in his own time.
【學(xué)位授予單位】：東北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2008
【分類號(hào)】：I06

【引證文獻(xiàn)】

相關(guān)期刊論文 前1條

1 張祖群;;沉重的反思:“山楂樹現(xiàn)象”述評(píng)[J];民族藝術(shù)研究;2011年03期

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本文編號(hào)：1858919