本文選題：意識(shí) + 無意識(shí)��； 參考：《天津美術(shù)學(xué)院》2007年碩士論文

【摘要】： 本文試圖從哲學(xué)的角度去把握藝術(shù)設(shè)計(jì)的本質(zhì)。本文認(rèn)為,現(xiàn)代設(shè)計(jì)是藝術(shù)與科技結(jié)合的產(chǎn)物,藝術(shù)設(shè)計(jì)的本質(zhì)在于開發(fā)人的無意識(shí)。其核心訴求是讓設(shè)計(jì)者認(rèn)識(shí)自我,也就表現(xiàn)為藝術(shù)設(shè)計(jì)對(duì)人的開發(fā)。本文認(rèn)為,這樣一種追求有可能改變我們對(duì)藝術(shù)設(shè)計(jì)的理解。正是基于這樣一種改變了的藝術(shù)觀,本文提出,不能從純藝術(shù)的角度,而應(yīng)從“應(yīng)用”和“生活形式”的角度去重新把握設(shè)計(jì)的藝術(shù)性,設(shè)計(jì)無形,但是無處不在。藝術(shù)已經(jīng)平民化大眾化了,“無設(shè)計(jì)”成為設(shè)計(jì)的核心,藝術(shù)就是生活。
[Abstract]:This paper attempts to grasp the essence of art design from the philosophical point of view. This paper holds that modern design is the result of the combination of art and technology, and the essence of art design lies in the development of human unconscious. Its core appeal is to let the designer know himself, which is the development of art design. This article believes that such a pursuit may change our understanding of art and design. Based on such a changed view of art, this paper suggests that the artistic nature of design should be regrasped from the angle of "application" and "life form", but not from the point of view of pure art, but everywhere. Art has been popularized, "no design" has become the core of design, art is life.
【學(xué)位授予單位】：天津美術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2007
【分類號(hào)】：J06

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

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