本文選題：文藝美學(xué) + 文學(xué)藝術(shù)　； 參考：《山東大學(xué)》2008年碩士論文

【摘要】： 文藝美學(xué)是二十世紀后期中國學(xué)者在美學(xué)、文藝學(xué)領(lǐng)域提出的帶有原創(chuàng)性的新興學(xué)科,其發(fā)展始終伴隨著爭論與爭鳴。本文旨在整理中國大陸文藝美學(xué)自1971年至2000年(即學(xué)科初創(chuàng)期和發(fā)展期)的發(fā)展歷程。處于初創(chuàng)和發(fā)展期的文藝美學(xué)首先要解決的是學(xué)科性質(zhì)和學(xué)科定位問題,以及由此帶來的研究對象、邏輯起點及學(xué)科體系問題。本文著重于此時期的文藝美學(xué)原理研究,以胡經(jīng)之、周來祥、王世德、杜書瀛等學(xué)者的論著為線索,擬從各家爭鳴中見出各文藝美學(xué)基本問題的提出與解決。 全文共分六章。緒論部分簡短回顧了本時期文藝美學(xué)學(xué)科具有代表意義的部分成果,同時力圖清晰界定“文藝”一詞的含義,認為對于文藝美學(xué)的種種建構(gòu)設(shè)想,是中國美學(xué)界在八十年代“美學(xué)熱”的催動下,對于“美學(xué)的中國化”、“美學(xué)體系建設(shè)”的一種具體回應(yīng)方式和成果,它體現(xiàn)了最近幾十年來中國美學(xué)研究的一種態(tài)勢,即強調(diào)美學(xué)之西方傳統(tǒng)與中國本土思維成果的結(jié)合,把美學(xué)的純思辨過程延伸進感性形象的文藝活動之中。 第一章分析了中國大陸首提“文藝美學(xué)”名稱的胡經(jīng)之先生的學(xué)科構(gòu)想。胡經(jīng)之將審美活動作為文藝美學(xué)的研究起點,以創(chuàng)作——作品——享受為構(gòu)架,認為文學(xué)藝術(shù)是審美活動的獨特方式,文藝美學(xué)是對文學(xué)藝術(shù)特有審美規(guī)律的理論探討。第二章分析了周來祥先生的文藝美學(xué)體系。周來祥將藝術(shù)的審美本質(zhì)作為邏輯起點,在對文學(xué)藝術(shù)做歷時考察的同時做橫向的研究,在橫向的分析同時做歷時的審視,其文藝美學(xué)體系是一個縱橫交錯、質(zhì)量雙向、歷史與邏輯辯證統(tǒng)一的系統(tǒng)。第三章分析了王世德的文藝美學(xué)主張,即以審美活動為基礎(chǔ),以“審美特質(zhì)/特性”、“審美規(guī)律”為核心范疇,認為文藝美學(xué)是美學(xué)的下屬部門,是文藝學(xué)的分支部門、從屬于文藝理論。第四章分析了杜書瀛的文藝美學(xué)系統(tǒng),即以審美活動為基點,以審美——作品——接受為線索,考察和揭示文藝的審美性質(zhì)和審美規(guī)律。第五章概述了部分學(xué)者對文藝美學(xué)作為一門學(xué)科的質(zhì)疑,比如王德勝認為,在美學(xué)、文藝學(xué)兩個參照系中定位文藝美學(xué)的嘗試值得商榷;因此不妨模糊“學(xué)科”企圖,深化“問題”研究。諸多其他學(xué)者亦提出若干問題以期文藝美學(xué)關(guān)注。第六章綜合整理了本時期文藝美學(xué)學(xué)科的部分其他理論成果,這些重要的理論成果對于文藝美學(xué)學(xué)科的建設(shè)發(fā)展以及與之相關(guān)的文藝學(xué)、美學(xué)學(xué)科的建設(shè)發(fā)展都有著深遠而重大的意義。結(jié)語部分總結(jié)了文藝美學(xué)學(xué)科的研究方法、研究對象等問題,認為文藝美學(xué)改變了文藝學(xué)長期以來的對文藝與審美的關(guān)系的漠視,轉(zhuǎn)移了美學(xué)中對美的本質(zhì)的討論的思辨演繹,把美學(xué)研究拉回了藝術(shù)審美的現(xiàn)實根基,是對西方現(xiàn)代美學(xué)的“藝術(shù)哲學(xué)化”發(fā)展趨向的認同,也是向我國古代美學(xué)研究對文藝的具體審美感悟的回歸,更是從藝術(shù)美的向度來思考和張揚人性之美、通過對文藝審美的特性的研究,對人類的命運與前途所給予的關(guān)懷。 本文按照馬克思主義一切研究都應(yīng)從事實出發(fā)而不是從定義出發(fā)的基本觀點,采取回到事情本身的方法,即不從抽象的“文藝美學(xué)”這個概念出發(fā),而是考察具體研究成果與研究歷程,力圖做到歷史與邏輯相統(tǒng)一、史與論相結(jié)合。
[Abstract]:The literary aesthetics is China scholars in late twentieth Century with the emerging discipline of aesthetics, originality made the field of literature and art, its development is always accompanied by controversy and debate. The thesis China, aesthetics of literature and art from 1971 to 2000 (i.e., the start-up period and development period) the course of development. In the start-up and development stage of literary aesthetics to solve the first problem is the discipline nature and orientation, as well as the research object the logical starting point and the discipline system. This paper focuses on the research of literary aesthetics principle, this time to Henry, weeks Xiang, Wang Shide, Du Shuying and other scholars, works as a clue, from the proposed quasi contention showed the basic problems of various art the aesthetic and the solution.
This paper consists of six chapters. The introduction part is a brief review of some achievements in literary aesthetics in this period representative, while trying to clearly define the meaning of the word, that for all the construction of literary aesthetics, is Chinese aesthetic circle in 80s "aesthetics popularity" of the catalyst, for the "aesthetics of China", "a specific response to the aesthetic system construction methods and achievements, it reflects the recent decades of aesthetics Chinese a trend, which emphasizes the combination of the traditional western aesthetics and Chinese local thinking achievements, the pure thinking process of aesthetics extends into the perceptual image of literary activities.
The first chapter analyzes the subject conception of China, the first mention of the "Literary Aesthetics". The name of Mr. Hu Hu aesthetic activities as the research starting point of literary aesthetics, to create works of comfort for the framework, that art is a unique way of aesthetic activity, literary aesthetics of literature and art of unique aesthetic theory. The second chapter is the analysis of Mr. Zhou Laixiang's literary aesthetics system. Zhou Laixiang will be the aesthetic nature as the logical starting point, in literature and art and the diachronic study the transverse research, look at the horizontal analysis and diachronic, its literary aesthetic system is a two-way quality system, arranged in a crisscross pattern, the dialectical unity of history and logic. The third chapter analyzes the aesthetic proposition of Wang Shide, that is based on aesthetic activities, the aesthetic features of "/ characteristics", "aesthetic law" as the core. Domain, think the literary aesthetics is aesthetics of subordinate departments, branch of the Department of literature and art, belongs to the literary theory. The fourth chapter analyzes Du Shuying's literary aesthetics system, namely aesthetic activities as the starting point, to accept aesthetic works as a clue, aesthetic nature and aesthetic rules examine and explore the literature. The fifth chapter summarizes some scholars questioned as a subject of literary aesthetics, such as Wang Desheng, in aesthetics, try to position two in the reference system of literary aesthetics is worth discussing literature; therefore it may be fuzzy "discipline" attempt to deepen the "problem". Many other scholars also put forward some problems in literary aesthetics attention. The sixth chapter the aesthetics of literature and art of the period of some other theoretical results, these important theoretical results for the development of aesthetics of literature and art and the art aesthetics. Are of great significance for construction and development of disciplines. The conclusion part summarizes the research methods of literature and art aesthetics, the problems such as the research object, that changed the literary aesthetics literature and art for a long time on the relationship between literary and aesthetic disregard, shifted the discussion of the essence of beauty in aesthetics thinking interpretation, aesthetics to study the reality of art aesthetic foundation, is on the western modern aesthetics "philosophy of art" the tendency of the development of identity, is to return to the study of ancient Chinese aesthetics of literary aesthetic perception is more specific, from art to thinking and publicity of the beauty of human nature, through the study of literary aesthetic characteristics that gives to the human destiny and future care.
According to Marx's basic views of all research should start from reality and not from the definition, take the way to come back to the thing itself, that is not starting from the concept of abstract "Literary Aesthetics", but the particular research achievements and research history, trying to achieve the unity of history and logic, combining history with theory.

【學(xué)位授予單位】：山東大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2008
【分類號】：I01

【引證文獻】

相關(guān)期刊論文 前1條

1 王輝;;緊跟歷史的腳步和文藝學(xué)的變遷——文藝學(xué)發(fā)展的歷史回顧[J];佳木斯教育學(xué)院學(xué)報;2012年08期

，

本文編號：1733720