發(fā)布時間：2018-03-20 23:01

  本文選題：論新　切入點(diǎn)：媒體　出處：《美術(shù)觀察》2013年06期 　論文類型：期刊論文

【摘要】：正新媒體藝術(shù)的學(xué)術(shù)淵源最早可追溯至上世紀(jì)誕生的達(dá)達(dá)主義、行為主義、激浪藝術(shù)以及觀念藝術(shù)等先鋒藝術(shù)流派,這些藝術(shù)流派的一個共同特點(diǎn)就是顛覆了人們在傳統(tǒng)理念中所秉持的對架上藝術(shù)的審美標(biāo)準(zhǔn),由對藝術(shù)品物象的靜態(tài)審美轉(zhuǎn)移到對事件、過程的審美體驗(yàn),瞬間的當(dāng)下和參與者的再創(chuàng)造成為作品表現(xiàn)形式中不可分割的一部分。由于其內(nèi)涵和外延的不確定性、基礎(chǔ)理論的薄弱、研究方法和批評方法的欠缺造成新媒體藝術(shù)發(fā)展的諸多誤區(qū)。有人把新媒體藝術(shù)的"新"理解為技術(shù)的先進(jìn)性,這不免有些片
[Abstract]:The academic origins of the new media art can be traced back to the vanguard art schools of Dadaism, behaviorism, surge art and concept art, which were born in the last century. One of the common features of these art schools is that they have subverted the aesthetic standards held by people in the traditional concept of art on the shelf, shifting from static aesthetics to the aesthetic experience of events and processes. The instant and the participant's re-creation become an integral part of the expression of the work. Because of the uncertainty of its connotation and extension, the basic theory is weak, The lack of research methods and critical methods has caused a lot of misunderstandings in the development of new media art. Some people understand the "new" of new media art as the advanced nature of technology, which inevitably leads to some films
【作者單位】： 深圳大學(xué)藝術(shù)設(shè)計學(xué)院;
【分類號】：J05
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本文編號：1641171