本文選題：當(dāng)代藝術(shù)　切入點(diǎn)：中國(guó)方式　出處：《云南師范大學(xué)》2013年碩士論文　論文類(lèi)型：學(xué)位論文

【摘要】：本論文主要以當(dāng)代藝術(shù)發(fā)生發(fā)展的理論為主線(xiàn)，在探討中國(guó)當(dāng)代藝術(shù)歷史分期的同時(shí)闡述中國(guó)方式藝術(shù)價(jià)值、現(xiàn)實(shí)處境，結(jié)合具有中國(guó)方式的藝術(shù)形式特色的藝術(shù)家個(gè)案分析，考察對(duì)當(dāng)代藝術(shù)之中國(guó)方式的文化現(xiàn)象的理解。 藝術(shù)的發(fā)展的具有連續(xù)性，所以我們?cè)诰唧w研究中首先介紹西方當(dāng)代藝術(shù)與中國(guó)當(dāng)代藝術(shù)歷史分期、發(fā)展概況，分析當(dāng)代藝術(shù)領(lǐng)域里后殖民主義文化思潮及多元世界文化大背景沖擊下中國(guó)當(dāng)代藝術(shù)參與到國(guó)際文化交流中的現(xiàn)狀，通過(guò)這一現(xiàn)象探討了以“中國(guó)方式”為創(chuàng)作主體的藝術(shù)實(shí)踐的這一引人深思具有中國(guó)民族特性的文化現(xiàn)象。論文還以時(shí)間線(xiàn)索為軸線(xiàn)，研究了中國(guó)當(dāng)代藝術(shù)在不同歷史時(shí)期的表現(xiàn)，以挖掘藝術(shù)家獨(dú)特的思維方式與文化族群的性格特征，結(jié)合圖像學(xué)、社會(huì)學(xué)、人類(lèi)文化學(xué)、后現(xiàn)代主義等理論和研究方法，寄希望于在此研究基礎(chǔ)上獲得對(duì)中國(guó)當(dāng)代藝術(shù)之中國(guó)方式的一般認(rèn)知。 最后論文對(duì)上述研究做出總結(jié)，提出個(gè)人觀點(diǎn)，也指出了后續(xù)研究的方向。
[Abstract]:This thesis mainly takes the theory of the development of contemporary art as the main line, discusses the historical stages of Chinese contemporary art and expounds the artistic value and realistic situation of the Chinese way, combining with the case study of the artists with the characteristics of the artistic form of the Chinese way. To investigate the understanding of the cultural phenomenon of the Chinese way of contemporary art. The development of art has continuity, so we first introduce the Western contemporary art and Chinese contemporary art history stages, development overview in the specific research. This paper analyzes the current situation of the participation of Chinese contemporary art in international cultural exchange under the impact of the trend of postcolonial culture in the field of contemporary art and the impact of pluralistic world culture. Through this phenomenon, the author probes into the cultural phenomenon with Chinese national characteristics in the art practice of "Chinese style" as the main creative subject. The paper also takes the time clue as the axis. This paper studies the performance of Chinese contemporary art in different historical periods, in order to excavate the unique thinking mode of artists and the character characteristics of cultural groups, combining with the theories and research methods of graphics, sociology, human culture, postmodernism, etc. On the basis of this research, we hope to gain a general understanding of the Chinese way of contemporary Chinese art. Finally, the paper summarizes the above research, puts forward personal views, and points out the direction of follow-up research.
【學(xué)位授予單位】：云南師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類(lèi)號(hào)】：J120.9

【參考文獻(xiàn)】

相關(guān)期刊論文 前2條

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2 栗憲庭;方世鈞與玩世寫(xiě)實(shí)主義[J];藝術(shù)界;1997年01期

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本文編號(hào)：1619114