發(fā)布時間：2018-03-10 22:19

  本文選題：審美經(jīng)驗　切入點：文學(xué)創(chuàng)作　出處：《東北師范大學(xué)》2007年碩士論文　論文類型：學(xué)位論文

【摘要】： 審美經(jīng)驗既是美學(xué)研究的基本命題,也是藝術(shù)研究與評價的基本切入點,因此厘清審美經(jīng)驗的發(fā)生機(jī)制以及其對藝術(shù)創(chuàng)作產(chǎn)生影響的機(jī)理,對于美學(xué)研究和藝術(shù)研究都有重要的意義。我國的美學(xué)研究者通常以二元論哲學(xué)立場入手研究審美經(jīng)驗,在分析審美主體的主觀能動性的同時,強(qiáng)調(diào)審美客體對主體的影響和制約,強(qiáng)調(diào)審美經(jīng)驗的社會性,但是對美的客觀性的過分強(qiáng)調(diào),使研究者們自覺不自覺地試圖建立普適性的審美標(biāo)準(zhǔn),并以此來指導(dǎo)人們?nèi)ンw驗,欣賞和創(chuàng)造美,最終規(guī)范藝術(shù)家和大眾的審美趣味和審美行為,其結(jié)果必然導(dǎo)致將社會功利強(qiáng)加到審美行為中,使審美行為如道德行為一樣,受社會的準(zhǔn)則的監(jiān)督和制約,其目的是催生更成熟,更高雅的藝術(shù)作品,但結(jié)果卻遏制了審美主體獨特而深刻的審美經(jīng)驗的抒發(fā),也扼殺了藝術(shù)創(chuàng)作的豐富多樣性。 本論文試圖通過對文學(xué)現(xiàn)象的梳理分析及具體表現(xiàn)上的再評價來印證審美經(jīng)驗的個體性、主觀性,排他性和非功利性及弱社會性,使理論研究追蹤創(chuàng)作,對創(chuàng)作實踐產(chǎn)生糾偏與激勵作用,對藝術(shù)創(chuàng)作給予更寬松、自由的氛圍,從而激發(fā)藝術(shù)家盡情抒發(fā)其獨特而深刻的感受和認(rèn)識,使我們的文學(xué)事業(yè)在新世紀(jì)更加健康地繁榮發(fā)展。
[Abstract]:Aesthetic experience is not only the basic proposition of aesthetic research, but also the basic breakthrough point of art research and evaluation. Aesthetic researchers in China usually study aesthetic experience from the standpoint of dualistic philosophy, while analyzing the subjective initiative of the aesthetic subject. Emphasizing the influence and restriction of the aesthetic object on the subject and emphasizing the sociality of aesthetic experience, but the excessive emphasis on the objectivity of beauty, makes the researchers consciously and unconsciously try to establish the universal aesthetic standard and guide people to experience it. Appreciation and creation of beauty, ultimately regulating the aesthetic taste and behavior of artists and the public, will inevitably lead to the imposition of social utility on aesthetic behavior, so that aesthetic behavior, like moral behavior, is subject to the supervision and restriction of social norms. Its purpose is to give birth to more mature and elegant works of art, but the result has restrained the expression of unique and profound aesthetic experience of the aesthetic subject and strangled the rich diversity of artistic creation. This paper attempts to verify the individuality, subjectivity, exclusiveness, non-utilitarianism and weak sociality of aesthetic experience by combing and analyzing literary phenomena and reevaluating their specific performance, so as to make theoretical research follow up on creation. It has the function of rectifying and encouraging the creative practice, giving a more relaxed and free atmosphere to the artistic creation, thus arousing the artists to express their unique and profound feelings and understanding. So that our literary cause in the new century more healthy prosperity and development.
【學(xué)位授予單位】：東北師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2007
【分類號】：I01

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