臺(tái)港當(dāng)代文藝美學(xué)研究簡(jiǎn)述
本文關(guān)鍵詞:臺(tái)港當(dāng)代文藝美學(xué)研究簡(jiǎn)述 出處:《山東大學(xué)》2008年碩士論文 論文類型:學(xué)位論文
更多相關(guān)文章: 文藝美學(xué) 審美經(jīng)驗(yàn) 臺(tái)灣 香港
【摘要】: 文藝美學(xué)是新時(shí)期以來由中國(guó)學(xué)者提出的,極富中國(guó)特色的新興學(xué)科,是中國(guó)學(xué)者對(duì)世界學(xué)術(shù)發(fā)展的一個(gè)貢獻(xiàn)。為了促進(jìn)該學(xué)科的進(jìn)一步發(fā)展和繁榮,對(duì)文藝美學(xué)進(jìn)行學(xué)術(shù)史的整理是當(dāng)前文藝美學(xué)研究的重要任務(wù)之一。 在對(duì)文藝美學(xué)學(xué)科發(fā)展學(xué)術(shù)史的整理中,我們不但要關(guān)注中國(guó)大陸學(xué)者取得成就,同時(shí)也更應(yīng)該注意臺(tái)港學(xué)者在此學(xué)科的發(fā)展過程中所做出的重要貢獻(xiàn),因?yàn)榕_(tái)港當(dāng)代文藝美學(xué)研究是中國(guó)文藝美學(xué)學(xué)術(shù)史的重要組成部分。本文想在掌握較為豐富的資料的基礎(chǔ)上對(duì)臺(tái)港的文藝美學(xué)資源做一簡(jiǎn)單的梳理,以此來豐富中國(guó)文藝美學(xué)學(xué)科建設(shè)的武庫(kù)。 臺(tái)港學(xué)者在文藝美學(xué)研究方面沒有標(biāo)舉一門學(xué)科的意識(shí),甚至連出現(xiàn)“文藝美學(xué)”字樣的著作都很寥寥,但這并不能說臺(tái)港地區(qū)就沒有文藝美學(xué)發(fā)展之實(shí)。我們從以下幾個(gè)方面就可以簡(jiǎn)略地洞悉臺(tái)港地區(qū)文藝美學(xué)發(fā)展的狀況:首先是臺(tái)港文藝美學(xué)方面最重要的著作,即王夢(mèng)鷗的《文藝美學(xué)》,王先生在這本著作中,借鑒中西方文藝?yán)碚摰馁Y源大致形成了自己的文藝審美體系,認(rèn)為文學(xué)是表現(xiàn)美的文字工作,提倡用美學(xué)去研究文藝的審美目的。正是王先生的論著直接啟示了大陸的胡經(jīng)之先生倡導(dǎo)發(fā)展該學(xué)科,并且該著作也對(duì)臺(tái)港當(dāng)代文藝美學(xué)研究的發(fā)展產(chǎn)生了極為重要的影響;在王夢(mèng)鷗之后,臺(tái)港地區(qū)在文學(xué)與美學(xué)研究領(lǐng)域的成果引人矚目,出現(xiàn)了一大批學(xué)者專著。他們重視詩歌藝術(shù)的審美特性及與其它門類藝術(shù)的匯通,關(guān)注中國(guó)文藝抒情傳統(tǒng)的審美歷程,建構(gòu)和深拓文學(xué)美的理論體系等,他們?cè)诖朔矫娴难芯渴俏乃嚸缹W(xué)研究的重要內(nèi)容;同時(shí),在藝術(shù)與美的研究領(lǐng)域,臺(tái)港學(xué)者也做出了重要的功績(jī),他們對(duì)藝術(shù)一般審美活動(dòng)及審美特性的論述,對(duì)中國(guó)傳統(tǒng)藝術(shù)精神與傳統(tǒng)藝術(shù)形式更迭的追尋,也都給我們以重要的啟示;另外,臺(tái)港學(xué)者在中外文藝比較領(lǐng)域也用力頗勤,他們?nèi)诤蠀R通中西文藝資源,通過比較,分析,彰顯中國(guó)古代文藝美學(xué)思想的獨(dú)特價(jià)值,主張立足于本民族文藝?yán)碚摪l(fā)展的實(shí)際,弘揚(yáng)傳統(tǒng),以文化輸出的方式影響整個(gè)世界。 總之,臺(tái)港學(xué)者在文藝美學(xué)研究領(lǐng)域有著自己的特色,他們傾向于具體問題的把握與分析,給我們大陸的文藝美學(xué)研究帶來了很多有益的學(xué)術(shù)啟示。因此,我們應(yīng)該在總結(jié)吸收各方面文藝美學(xué)資源的基礎(chǔ)上銳意創(chuàng)新,進(jìn)一步發(fā)展和繁榮具有中國(guó)特色的文藝美學(xué)學(xué)科,同時(shí)也更應(yīng)注意與臺(tái)港地區(qū)文藝美學(xué)研究的交流,以促進(jìn)臺(tái)港地區(qū)文藝美學(xué)學(xué)科的建立和發(fā)展。
[Abstract]:The aesthetics of literature and art is a new discipline with Chinese characteristics which has been put forward by Chinese scholars since the new period. It is a contribution of Chinese scholars to the academic development of the world in order to promote the further development and prosperity of the subject. The academic history of literature and art aesthetics is an important Ren Wuzhi in the current literature and art aesthetics research. In sorting out the academic history of the development of literature and art aesthetics, we should not only pay attention to the achievements of mainland Chinese scholars, but also pay attention to the important contributions made by scholars from Taiwan and Hong Kong in the development of this discipline. Because the study of contemporary literature and art aesthetics in Taiwan and Hong Kong is an important part of the academic history of Chinese literature and art aesthetics, this paper wants to make a simple combing of the literature and art aesthetics resources of Taiwan and Hong Kong on the basis of mastering more abundant materials. In order to enrich the discipline of Chinese literature and art aesthetics construction of the arsenal. Taiwan and Hong Kong scholars do not have the consciousness to cite a discipline in the study of literary and artistic aesthetics, and even there are very few works in which the words "literary and artistic aesthetics" appear. However, it is not true that there is no development of literary aesthetics in Taiwan and Hong Kong. From the following aspects, we can have a brief insight into the development of literary aesthetics in Taiwan and Hong Kong:. The first is the most important works of literature and art aesthetics in Taiwan and Hong Kong. Wang Menggou's "Aesthetics of Literature and Art", in which Mr. Wang draws lessons from the resources of Chinese and Western literary theories, has formed his own aesthetic system of literature and art, and thinks that literature is the literary work of expressing beauty. It is Mr. Wang's works that directly enlighten Mr. Hu Jingzhi on the mainland to develop the subject. And this work has also had an extremely important influence on the development of contemporary literary and artistic aesthetics in Taiwan and Hong Kong. After Wang Menggou, the achievements of Taiwan and Hong Kong in the field of literature and aesthetics have attracted great attention, and a large number of scholars' monographs have appeared. They attach importance to the aesthetic characteristics of poetic art and the confluence with other kinds of art. They pay close attention to the aesthetic course of Chinese literary lyric tradition, construct and develop the theoretical system of literary beauty, and their research in this respect is the important content of literature and art aesthetics research. At the same time, in the field of art and beauty, scholars in Taiwan and Hong Kong have also made important achievements, they have discussed the general aesthetic activities and aesthetic characteristics of art, and sought to change the spirit of Chinese traditional art and the change of traditional art forms. Also give us important enlightenment; In addition, Taiwan and Hong Kong scholars in the field of Chinese and foreign literature and art comparison is also very hard, they merge the Chinese and Western literature and art resources, through comparison, analysis, show the unique value of ancient Chinese literary aesthetics. The author advocates that the whole world should be influenced by the way of cultural output, based on the actual development of the national literature and art theory, to carry forward the tradition. In a word, the scholars of Taiwan and Hong Kong have their own characteristics in the field of literature and art aesthetics, they tend to grasp and analyze the specific problems, which brings us a lot of useful academic inspiration for the study of literature and art aesthetics in mainland China. We should make innovations on the basis of summing up and absorbing all kinds of literature and art aesthetics resources, and further develop and prosper the subject of literature and art aesthetics with Chinese characteristics. At the same time, we should pay more attention to the exchange of literature and art aesthetics research with Taiwan and Hong Kong in order to promote the establishment and development of literature and art aesthetics in Taiwan and Hong Kong.
【學(xué)位授予單位】:山東大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2008
【分類號(hào)】:I01
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