本文關(guān)鍵詞：揚雄美學(xué)思想研究　出處：《山東師范大學(xué)》2006年博士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 揚雄 美學(xué)思想 審美范疇 審美命題 作品特色 特點 整體評價

【摘要】：揚雄是西漢著名的文學(xué)家、哲學(xué)家,從當(dāng)代學(xué)術(shù)范例來看,在一定意義上還可稱之為美學(xué)家。人們對他的文學(xué)作品、文學(xué)思想、哲學(xué)思想進行了廣泛而深入的研究,而對其美學(xué)思想的研究則相對比較薄弱,目前似乎沒有專論揚雄美學(xué)思想的著作或博士、碩士論文誕生。為了填補這一空缺,我選擇揚雄美學(xué)思想進行整體性研究。 本論文主要探討揚雄美學(xué)思想的來龍去脈、主體內(nèi)容、地位影響等諸多方面,它分為八個有機組成部分:緒論,第一章?lián)P雄美學(xué)思想的歷史基礎(chǔ)和理論前提,第二章?lián)P雄美學(xué)思想來源及其哲學(xué)基礎(chǔ),第三章?lián)P雄美學(xué)思想的審美范疇,第四章?lián)P雄具體門類的美學(xué)觀,第五章?lián)P雄作品的美學(xué)特色,第六章?lián)P雄美學(xué)思想的特點,第七章?lián)P雄美學(xué)思想的性質(zhì)、地位、影響和評價。其中,緒論部分是整個研究的鋪墊,第一、二章是必要的“前奏”,第三、四、五、六章是主體核心部分。第七章是高潮和尾聲,是從更高境界、更廣視野進行俯瞰的思想結(jié)晶。 緒論分三部分:第一部分揚雄其人其事,重點介紹其蔚為壯觀的文學(xué)成就、特立獨行的思想性格、令人驚嘆的突出地位;第二部分研究現(xiàn)狀,目前的研究主要集中在挖掘其美學(xué)思想的幾個理論要點上,顯得零散而隨意,而且至今無人鋪展開來進行整體性的詳細(xì)研究,而本論文從整體面貌著眼,因而將顯得更全面、深刻;第三部分研究意義、思路和方法,其意義在于填補整體性研究之空白,并把其潛在的、未成系統(tǒng)的美學(xué)理論整合為顯在的、系統(tǒng)化的理論,在充分占有材料、細(xì)讀文本、不曲解其思想原意的基礎(chǔ)上,以現(xiàn)代美學(xué)學(xué)科的胸懷和眼光去看待古代材料,既不把現(xiàn)代美學(xué)的術(shù)語和概念強加給古代,又使古代的材料以一種現(xiàn)代的組織方式顯現(xiàn)出來。 第一章歷史基礎(chǔ)和理論前提是分析揚雄美學(xué)思想產(chǎn)生的兩個關(guān)鍵要素,必須優(yōu)先論析。西漢的政治、經(jīng)濟、思想、天文學(xué)、辭賦等狀況是其產(chǎn)生的大語境,它規(guī)約了其美學(xué)思想的豐富多彩和變化多端。先秦以來對美的思考和西漢主要美學(xué)思想面貌是其美學(xué)思想產(chǎn)生的小語境,是其理論前提(背景)。揚雄美學(xué)思考的焦點主要有:美的客觀性和主觀性之間的結(jié)合能否找到形而上的依據(jù),如何給予人格精神美全面的概括,如何在藝術(shù)世界、主觀世界、客觀世界之間進行統(tǒng)籌性美學(xué)思考,美與社會功用、道德規(guī)范、主觀心靈、現(xiàn)實需求之間究竟有何關(guān)聯(lián)。
[Abstract]:Yang Xiong is a famous writer and philosopher in the Western Han Dynasty. From the contemporary academic example, he can also be called esthetician in a certain sense. The philosophical thought has carried on the extensive and thorough research, but to its esthetics thought research is relatively weak, at present does not seem to have the monograph Yang Xiong esthetics thought the work or the doctor. Master thesis was born. In order to fill this vacancy, I chose Yang Xiong aesthetic thought to carry on the overall research. This paper mainly discusses the background of Yangxiong's aesthetic thought, the main content, the influence of position and so on. It is divided into eight organic components: introduction, the first chapter of the historical basis and theoretical premise of Yangxiong aesthetic thought. The second chapter is the origin of Yangxiong's aesthetic thought and its philosophical foundation, the third chapter is the aesthetic category of Yangxiong's aesthetic thought, the 4th chapter is the aesthetic view of Yangxiong's specific categories, and the aesthetic characteristics of 5th Yangxiong's works. The characteristics of Yangxiong's aesthetic thoughts in 6th, and the nature, status, influence and evaluation of his aesthetic thoughts in 7th chapters. Among them, the introduction part is the foreshadowing of the whole research, the first and second chapters are the necessary "prelude", the third and fourth. Chapter five and six are the core part of the subject. Chapter 7th is the climax and the end. The introduction is divided into three parts: the first part is about Yang Xiong's work, focusing on his spectacular literary achievements, his maverick ideological character, and his amazing prominence; The second part of the status of research, the current research mainly focused on the excavation of his aesthetic thoughts on several theoretical points, appears scattered and random, and no one has spread out to carry out a holistic and detailed study. But this thesis looks from the whole appearance, therefore will appear more comprehensive, profound; The third part of the research significance, ideas and methods, its significance is to fill the gap in the overall study, and its potential, unsystematic aesthetic theory into a clear, systematic theory, in the full possession of materials. On the basis of reading the text carefully and without misinterpreting its original meaning, the ancient materials are treated with the mind and vision of modern aesthetics, and the terms and concepts of modern aesthetics are neither imposed on the ancient times. And make ancient materials appear in a modern way of organization. The first chapter is the historical basis and theoretical premise to analyze the two key elements of Yang Xiong's aesthetic thought. The political, economic, ideological, astronomical and rhetorical conditions of the Western Han Dynasty are the major context of its emergence. It prescribes the variety and variety of its aesthetic thought. The reflection on beauty since the pre-Qin Dynasty and the appearance of the main aesthetic thought in the Western Han Dynasty are the small context of its aesthetic thought. Is its theoretical premise (background. Yang Xiong aesthetic thinking focus mainly: whether the combination of objectivity and subjectivity of beauty to find the metaphysical basis, how to give a comprehensive summary of the beauty of personality spirit. How to carry on the overall aesthetic thinking between the artistic world, the subjective world, the objective world, the beauty and the social function, the moral standard, the subjective mind, the realistic demand exactly what is the connection.
【學(xué)位授予單位】：山東師范大學(xué)
【學(xué)位級別】：博士
【學(xué)位授予年份】：2006
【分類號】：I01

【引證文獻】

相關(guān)博士學(xué)位論文 前1條

1 趙新平;漢馬圖像形式研究[D];西安美術(shù)學(xué)院;2010年

相關(guān)碩士學(xué)位論文 前1條

1 朱敏芳;揚雄的三種意識研究[D];漳州師范學(xué)院;2008年

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本文編號：1429774