本文關(guān)鍵詞：從創(chuàng)作過程看情感與藝術(shù)的關(guān)系　出處：《中央美術(shù)學(xué)院》2008年碩士論文　論文類型：學(xué)位論文

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【摘要】： 本文試圖突破傳統(tǒng)心理學(xué)與藝術(shù)理論的范疇來重新討論情感與藝術(shù)的問題,對藝術(shù)的本質(zhì)、藝術(shù)創(chuàng)作過程作了一個新的思索。本文所討論的情感不是高等動物的情緒反應(yīng),不是對外在事物的態(tài)度體驗與行為反應(yīng),而是人的情感,是人對于自身生存的一種體驗感受,這種感受的表現(xiàn)不能用抽象的邏輯方式,不能脫離開具體的感性,而只能通過賦形來表現(xiàn),這就是藝術(shù)。藝術(shù)不是反映社會存在的社會意識形態(tài),而是人的情感表現(xiàn)抒發(fā)的方式,這是本文的理論前提。 在上述基礎(chǔ)上再來討論藝術(shù)創(chuàng)作的過程,就不再是創(chuàng)作沖動、藝術(shù)構(gòu)思、藝術(shù)傳達這樣一個過程。情感在藝術(shù)創(chuàng)作中扮演的不是一個助力、溫床、動力的作用,而本身就是藝術(shù)創(chuàng)作活動本身,藝術(shù)創(chuàng)作過程就是藝術(shù)過程。藝術(shù)過程本身就是一個情感過程,作為藝術(shù)生產(chǎn)者的藝術(shù)家,藝術(shù)語言就是他自身感受和體驗生存的器官,藝術(shù)創(chuàng)作過程開始是生存感受,情有所感,而后是在體驗中認清這份情感,勾摹這份情感,為這份感情賦形,最后是情感的明晰與作品生成。 除此之外,筆者用這種觀念又對當(dāng)下的藝術(shù)創(chuàng)作現(xiàn)實進行了反思,指出藝術(shù)家因創(chuàng)作觀念與創(chuàng)作活動的分離而造成困惑的原因,使這一討論具有更強的理論與現(xiàn)實意義。 唯因藝術(shù)、情感領(lǐng)域即深且廣,涉獵的相關(guān)知識繁多,所有的論述只能是調(diào)動現(xiàn)有相關(guān)資源盡其可能的接近本源。而本文所努力的方向正是試圖解決當(dāng)下創(chuàng)作實踐與創(chuàng)作觀念的沖突造成的困惑,以及帶來的藝術(shù)創(chuàng)作危機。綜合運用藝術(shù)心理學(xué)、藝術(shù)社會學(xué)、圖像學(xué)、文獻學(xué)等方法,圍繞情感與藝術(shù)的本質(zhì),情感與創(chuàng)作的關(guān)系,對當(dāng)下藝術(shù)創(chuàng)作進行深層探討。因此,本文不是理論結(jié)合實踐的簡單分析,而是情感與藝術(shù)創(chuàng)作之源、觀念史與文化史的梳理與解讀過程。希望能在理論與實踐層面上,給當(dāng)下的藝術(shù)創(chuàng)作帶來一點啟示,為藝術(shù)創(chuàng)作提供一個新的思索角度。
[Abstract]:This paper tries to break through the traditional psychology and art theory to discuss the problem of emotion and art, the essence of art, artistic creation process for a new thinking. This paper discussed the emotional reaction of emotion is not higher than the things outside the animal, the attitude of the experience and behavioral responses, but the emotion is. A person for their own survival experience of feeling, this feeling of performance can not use abstract logic, can not be separated from the specific emotional, but only through shaping performance, it is art. Art is not a reflection of social existence and social ideology, but the emotion express way, which is the theoretical premise of this thesis.
Based on the above discuss the process of artistic creation, it is no longer creative impulses, artistic conception, art to convey such a process of emotion in art creation is not a hotbed of power, power, role, and itself is artistic creation itself, art creation process is the process of art. The art process itself is an emotional process, as the artistic producer of artists, art is the language of his own feelings and experiences of living organs, the process of artistic creation is the beginning of life experience, have a sense of the situation, and then recognize the emotion in the experience, hook g this emotion, this feeling is shaped, finally is the emotional clarity and formation of works.
Besides, I use this concept to reflect on the reality of the current art creation, and point out the reason why the artist has been puzzled by the separation of creative ideas and creative activities, which makes the discussion more theoretical and practical.
Because art, emotion is deep and wide knowledge covered various, all the discussion is only to mobilize existing resources as much as possible close to the origin. And the direction is to present the conflict of creative practice and creative ideas to solve the confusion, and the artistic creation of comprehensive use of the crisis. The psychology of Art, art sociology, iconography, literature and other methods, based on the essence of emotion and art, the relationship between emotion and creation, deep discussion on contemporary art. Therefore, this paper is not a simple analysis of combining theory with practice, but the source of emotion and art creation, and explains the concept of history and cultural history the hope in the level of theory and practice, bring some enlightenment to contemporary artistic creation, thought to provide a new perspective for artistic creation.

【學(xué)位授予單位】：中央美術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2008
【分類號】：J04

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相關(guān)期刊論文 前2條

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本文編號：1396837