【摘要】：在中國舞蹈藝術(shù)發(fā)展的近一百年里,隨著人們思想的解放以及國家對(duì)文藝工作的支持,由文學(xué)作品改編的舞蹈創(chuàng)作突然興起。文學(xué)作品本身所帶有的戲劇性、人物性、情節(jié)性是讓無數(shù)的導(dǎo)演、編導(dǎo)、編劇所喜愛的。由于文學(xué)舞蹈逐漸走向成熟,她的分類型以及發(fā)展走勢(shì)也是不容忽視的。本文以中國古代文學(xué)分類法中的“四分法”作為依據(jù),通過對(duì)舞蹈作品的題材、內(nèi)容、動(dòng)作、音樂、舞美等方面的深度剖析,將以文學(xué)作品改編的舞蹈創(chuàng)作進(jìn)行分類與總結(jié)。而每一個(gè)文學(xué)改變類舞蹈創(chuàng)作類型隨著不同階段的發(fā)展也有著不同的變化,并由于社會(huì)的變遷有著不同的發(fā)展原因與規(guī)律。筆者將以1919年至今作為時(shí)間的界線,以社會(huì)發(fā)展條件、舞蹈藝術(shù)發(fā)展過程和典型舞蹈作品作為依據(jù),再以縱向的思維方式將中國現(xiàn)當(dāng)代文學(xué)改編類舞蹈創(chuàng)作的發(fā)展進(jìn)行梳理。
[Abstract]:In the nearly 100 years of the development of Chinese dance art, with the liberation of people's minds and the support of the state for literary and artistic work, the dance creation adapted from literary works has suddenly risen. The drama, human nature and plot of literary works are loved by countless directors, directors and writers. As literary dance gradually matures, its classification and development trend can not be ignored. Based on the "quartile method" in the classification of ancient Chinese literature, this paper classifies and summarizes the dance creation adapted from literary works through the in-depth analysis of the subject matter, content, action, music and dance beauty of dance works. Each literary change type of dance creation also has different changes with the development of different stages, and because of the changes of society, there are different reasons and laws of development. The author will take 1919 as the time boundary, take the social development condition, the dance art development process and the typical dance work as the basis, and then combs the development of Chinese modern and contemporary literary adaptation dance creation in the vertical thinking mode.
【學(xué)位授予單位】：東北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J704

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 裴啟蒙;論舞劇《美笑春香》的傳承價(jià)值[D];河北大學(xué);2018年

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本文編號(hào)：2489923