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中國現(xiàn)當(dāng)代軍旅題材舞蹈創(chuàng)作的類型學(xué)研究(1919-2016)

發(fā)布時(shí)間:2019-01-02 12:14
【摘要】:本文通過對(duì)“中國現(xiàn)當(dāng)代舞的界定”、“舞蹈與軍旅的結(jié)緣關(guān)系”諸方面問題的研究和論證,對(duì)中國現(xiàn)當(dāng)代軍旅題材舞蹈創(chuàng)作的類型學(xué)做深入的理論研究,意在挖掘“軍旅題材舞蹈”所含有的深刻理論論點(diǎn)。通過對(duì)軍旅和舞蹈的“結(jié)緣方式”以及舞蹈史論的研究同時(shí)結(jié)合類型學(xué)的研究方法以及根據(jù)歷史軍事的發(fā)展脈絡(luò)對(duì)“軍旅題材舞蹈”做客觀全面的研究分析,如概念界定、分類型和創(chuàng)作所形成的特點(diǎn)及演變的理論性、學(xué)術(shù)性探析和論述。在對(duì)軍旅題材舞蹈創(chuàng)作研究的深層次梳理和闡釋中,以此解讀和揭示軍旅題材舞蹈創(chuàng)作的分類型研究及其演變的合理性邏輯和在多方面、多視角、多思維下最為深層的內(nèi)在之根本(內(nèi)容)和理論論點(diǎn),使之在理論層面具有一定的學(xué)術(shù)性、理論性、邏輯性、知識(shí)性和可讀性。這是目前對(duì)此論點(diǎn)尚未研究全面的立項(xiàng)性研究。在緒論中,筆者對(duì)論題提出的問題及概念進(jìn)行界定,并闡述論題的研究背景現(xiàn)狀、研究意義以及對(duì)相關(guān)文獻(xiàn)的整理論述等。正文部分筆者從四章內(nèi)容分別對(duì)中國現(xiàn)當(dāng)代軍旅題材舞蹈的分類型和發(fā)展演變進(jìn)行了多方面、多角度的深入分析和研究。文中對(duì)軍旅題材舞蹈的類型學(xué)研究主要是以“軍旅”這一社會(huì)載體的特殊性為研究點(diǎn)而進(jìn)行的展開性研究,是對(duì)軍旅中所包含的各方面現(xiàn)象以時(shí)期為軸心、內(nèi)容為中心、形式為表現(xiàn)的分類型考究和創(chuàng)作特點(diǎn)的發(fā)展性探析。筆者從社會(huì)政治層面思考,對(duì)軍旅現(xiàn)象中所包含的軍事事件、軍事生活、軍事人物等進(jìn)行深入的挖掘,從而在共時(shí)方面,根據(jù)作品內(nèi)容的五大要素把軍旅題材舞蹈分為:軍事事件的舞蹈、部隊(duì)生活的舞蹈、軍事人物的舞蹈三類,筆者以三章的內(nèi)容對(duì)三類舞蹈通過客觀時(shí)期的脈絡(luò)和主觀意識(shí)的創(chuàng)作進(jìn)行細(xì)微之處的分類取證,對(duì)其中所涵蓋的論點(diǎn),如創(chuàng)作緣由、創(chuàng)作思維走向、主題內(nèi)容的敘述和形式特點(diǎn)的表現(xiàn)進(jìn)行理論性的表述,使軍旅題材舞蹈的分類型研究在理論層面更具學(xué)理性和全面性。第四章主要對(duì)軍旅題材舞蹈的演變展開研究和論述,從歷時(shí)方面研究軍旅題材舞蹈在萌芽、初期、中期、繁榮階段的創(chuàng)作特征,探究其在最大時(shí)間、空間范圍、量變質(zhì)變等問題上的發(fā)展,這個(gè)探討也是今后軍旅題材舞蹈在理論建構(gòu)研究方面的一個(gè)重要起點(diǎn)。綜上所述,本文從類型學(xué)、舞蹈學(xué)等學(xué)科進(jìn)行全面的研究,進(jìn)而從一般意義的“軍旅”提出“軍旅題材舞蹈”的特殊內(nèi)涵和性質(zhì)。借此筆者將其中的分類和發(fā)展演變問題作為軍旅題材舞蹈研究中一個(gè)基本要素和范疇,同時(shí)作為軍旅題材舞蹈中一個(gè)“質(zhì)”的標(biāo)志加以考究,從而尋求軍旅題材舞蹈本身具有的內(nèi)涵特點(diǎn)和發(fā)展空間,可以說,關(guān)于軍旅題材舞蹈的類型學(xué)研究,是最為深層次的對(duì)該題材舞蹈創(chuàng)作內(nèi)在本質(zhì)意向的一項(xiàng)帶有理論闡述的課題研究。
[Abstract]:Through the research and argumentation on the definition of Chinese modern and contemporary dance and the relationship between dance and military, this paper makes an in-depth theoretical study on the typology of Chinese modern and contemporary military dance creation. It is intended to dig out the profound theoretical arguments contained in "military Dancing". Through the study of the "bond way" between military and dance and the study of dance history theory, combined with typology research methods and according to the development of historical military context, this paper makes an objective and comprehensive study and analysis of "military theme dance", such as defining the concept. Classification and creation of the characteristics and evolution of the theoretical, academic analysis and discussion. In the deep level combing and explanation of the research on the dance creation of military theme, this paper interprets and reveals the research on the types of dance creation of military theme and the rational logic of its evolution, as well as the rational logic and multi-angle of view in many aspects and many perspectives. The deepest inner root (content) and theoretical argument of multi-thinking make it have certain academic, theoretical, logical, intellectual and readability in the theoretical level. This is the point of this argument has not yet been a comprehensive project research. In the introduction, the author defines the problems and concepts raised by the topic, and expounds the research background, significance and the arrangement of relevant documents. The main part of the author from the four chapters of the Chinese modern and contemporary military theme dance types and development of a variety of aspects, multi-angle in-depth analysis and research. In this paper, the typology of military dance is mainly based on the particularity of "military" as a social carrier for the research point, is to the military included in the various aspects of the phenomenon in the period as the axis, content as the center. Form for the performance of the types of research and creative characteristics of the developmental analysis. The author considers from the social and political level, carries on the thorough excavation to the military affairs, the military life, the military figure and so on, which includes in the military troop phenomenon, thus in the synchronic aspect, According to the five elements of the content of the work, the military dance is divided into three categories: the dance of the military event, the dance of the army life, the dance of the military character. The author classifies the creation of three kinds of dance through the objective period and subjective consciousness with the content of three chapters, and points out the argument, such as the reason of creation, the direction of creative thinking, The narration of the theme content and the expression of the formal characteristics of the military subject dance are theoretically described, which makes the research on the classification of the military dance more rational and comprehensive on the theoretical level. The fourth chapter mainly studies and discusses the evolution of the military dance, studies the creative characteristics of the military dance from the diachronic point of view, explores the creative characteristics of the military dance in the embryonic, early, middle and prosperous stages, and probes into its scope of maximum time and space. The development of quantitative change and qualitative change is also an important starting point in the theoretical construction of military dance in the future. To sum up, this paper makes a comprehensive study from typology, dance and other disciplines, and then puts forward the special connotation and nature of "military theme dance" from the general meaning of "military". In this way, the author regards the classification and development of dance as a basic element and category in the research of military dance, and at the same time, as a sign of "quality" in the dance of military theme. In order to seek the connotation and development space of the military dance itself, it can be said that the typology study on the military theme dance, It is the most profound research on the intrinsic intention of dance creation.
【學(xué)位授予單位】:東北師范大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2017
【分類號(hào)】:J704

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