從《打鼓佬》看舞蹈創(chuàng)作中的語境預設
發(fā)布時間:2018-12-08 11:40
【摘要】:本文通過對舞蹈作品《打鼓佬》在人物形象、虛擬意象、觀念呈現(xiàn)三方面的分析,嘗試說明舞蹈作品預設語境中的各要素,并在內在價值與外在形式表征上形成高度的一致性,以完成舞臺創(chuàng)作所追求的形神統(tǒng)一,進而塑造出鮮活的舞臺形象,挖掘舞蹈語匯背后的深層意義。
[Abstract]:This paper tries to explain the elements in the presupposition context of dance works by analyzing the characters, virtual images and concepts in Dancing works, and forms a high degree of consistency between the intrinsic value and the external formal representation. In order to complete the unity of form and spirit pursued by the stage creation, and then shape the vivid stage image, excavate the deep meaning behind the dance vocabulary.
【作者單位】: 中央民族大學舞蹈學院;
【分類號】:J704
,
本文編號:2368285
[Abstract]:This paper tries to explain the elements in the presupposition context of dance works by analyzing the characters, virtual images and concepts in Dancing works, and forms a high degree of consistency between the intrinsic value and the external formal representation. In order to complete the unity of form and spirit pursued by the stage creation, and then shape the vivid stage image, excavate the deep meaning behind the dance vocabulary.
【作者單位】: 中央民族大學舞蹈學院;
【分類號】:J704
,
本文編號:2368285
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