發(fā)布時(shí)間：2018-10-31 09:34

【摘要】：四川地區(qū)有著獨(dú)特的地理環(huán)境,獨(dú)特的自然氣候,這些自然賦予的獨(dú)特性,影響了四川地區(qū)的文化發(fā)展,文化又影響著舞蹈的發(fā)展。四川地區(qū)秦漢時(shí)期的舞蹈發(fā)展,在秦始皇統(tǒng)一六國(guó)這個(gè)歷史背景下,逐漸發(fā)展到了一個(gè)新高度。中原地區(qū)對(duì)四川地區(qū)有著很大的影響,四川地區(qū)本身的發(fā)展也促進(jìn)了舞蹈的發(fā)展。四川地區(qū)秦漢時(shí)期的樂(lè)舞廣收并蓄、融合眾技,形成了自己獨(dú)特的風(fēng)格,舞蹈的內(nèi)容豐富、形式多樣,有百戲俗舞、宮廷樂(lè)舞、宗教舞蹈等。百戲俗舞也是在這一時(shí)期發(fā)展也到達(dá)了新高度,四川地區(qū)秦漢時(shí)期的舞蹈有兼收并蓄,和而有新;雅俗兼顧,古拙新巧;繼承吸收,輕盈曼妙等審美特征。在這大一統(tǒng)的時(shí)代里,研究四川地區(qū)的舞蹈圖像有著重要的意義,本文主要著手于四川地區(qū)舞蹈圖像的收集分析,還有對(duì)舞蹈種類(lèi)的劃分以及舞蹈的審美特征進(jìn)行探索研究。本文共分為六個(gè)部分:緒論部分提出了本文的選題背景、研究?jī)?nèi)容的意義和價(jià)值、研究范圍的界定、國(guó)內(nèi)外研究現(xiàn)狀、研究方法、以及本文的創(chuàng)新之處。第一章是關(guān)于四川地區(qū)舞蹈圖像生成的背景進(jìn)行了研究。第二章將收集到的舞蹈圖像按材質(zhì)分類(lèi)進(jìn)行研究,分為畫(huà)像磚、畫(huà)像石、陶俑、青銅器。第三章按照舞蹈圖像的風(fēng)格分類(lèi)進(jìn)行舞蹈風(fēng)格的研究。第四章探討了四川地區(qū)舞蹈的風(fēng)格特征和審美特征。結(jié)語(yǔ)部分對(duì)本文的研究作出了一個(gè)總結(jié)。
[Abstract]:Sichuan has a unique geographical environment and unique natural climate, which has influenced the cultural development of Sichuan and the development of dance. Under the historical background of Qin Shihuang's unification of the six Kingdoms, the development of dance in the Qin and Han dynasties in Sichuan region gradually developed to a new height. The Central Plains region has a great influence on Sichuan area, and the development of Sichuan region also promotes the development of dance. The music and dance of the Qin and Han dynasties in Sichuan region were widely accepted and stored, and combined with the popular skills, forming their own unique style. The contents of the dance were rich and varied, and there were hundred operas and vulgar dances, court music and dance, religious dance and so on. Hundred opera folk dance also reached a new height in this period, Sichuan region Qin and Han dynasties dance has eclectic, and new; elegant and vulgar consideration, ancient clumsy, new, inheritance absorption, light and graceful and so on aesthetic characteristics. In this unified era, it is of great significance to study the dance images in Sichuan. This paper mainly focuses on the collection and analysis of dance images in Sichuan, as well as the classification of dance types and the aesthetic characteristics of dance. This paper is divided into six parts: the introduction part puts forward the background of this paper, the significance and value of the research content, the definition of the research scope, the current research situation at home and abroad, the research methods, and the innovation of this paper. The first chapter is about the background of Sichuan dance image generation. The second chapter will collect the dance image according to the material classification research, divides into the portrait brick, the portrait stone, the pottery figure, the bronze ware. The third chapter studies dance styles according to the classification of dance images. The fourth chapter discusses the style and aesthetic characteristics of Sichuan dance. The conclusion part makes a summary to the research of this paper.
【學(xué)位授予單位】：重慶大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2016
【分類(lèi)號(hào)】：J721;K232

【參考文獻(xiàn)】

相關(guān)期刊論文 前3條

1 張濤;;淺析秦漢時(shí)期樂(lè)舞發(fā)展[J];群文天地;2011年22期

2 賈雯鶴;;蠶叢考[J];煙臺(tái)大學(xué)學(xué)報(bào)(哲學(xué)社會(huì)科學(xué)版);2011年01期

3 張宇曉;;漢畫(huà)像中的長(zhǎng)袖舞研究[J];文化藝術(shù)研究;2008年02期

相關(guān)重要報(bào)紙文章 前1條

1 王緒華;;從漢畫(huà)像石看漢代樂(lè)舞藝術(shù)[N];光明日?qǐng)?bào);2003年

相關(guān)博士學(xué)位論文 前1條

1 袁禾;論中國(guó)宮廷舞蹈[D];中國(guó)藝術(shù)研究院;2000年

，

本文編號(hào)：2301690