【摘要】：本文是建立在小舞劇《生命的河》創(chuàng)作實踐的基礎(chǔ)上完成的。在創(chuàng)作過程中不斷探索研究,試圖在這樣的過程中找到適合表演作品內(nèi)容的表演形式。“圓”文化是中國傳統(tǒng)文化中的重要組成部分,經(jīng)過幾番嘗試后確定以它作為作品創(chuàng)作的主要表現(xiàn)形式。作品通過“圓”形式對《生命的河》中的情與事進行闡述,以期獲得獨特的創(chuàng)作與欣賞視角。文章結(jié)合小舞劇《生命的河》的創(chuàng)作,不斷總結(jié)理論,以實踐認證理論,理論指導實踐的方式,對舞蹈創(chuàng)作中內(nèi)容與形式關(guān)系的實際把握進行了探索。
[Abstract]:This paper is based on the creative practice of the little dance play the River of Life. In the process of creative exploration and research, try to find the content of performing works in such a process of performance form. "Yuan" culture is an important part of Chinese traditional culture. In order to obtain a unique angle of creation and appreciation, the works explain the feelings and events in the river of life in the form of "circle". Combined with the creation of "the River of Life", the article summarizes the theory and explores the relationship between the content and the form in the dance creation by means of the theory of practice certification and the guidance of the theory.
【學位授予單位】：北京舞蹈學院
【學位級別】：碩士
【學位授予年份】：2016
【分類號】：J723.1

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1 高度;;論中國民族民間舞學科的文化建設[J];北京舞蹈學院學報;2011年03期

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本文編號：2270885