【摘要】：本文以歐美實(shí)驗(yàn)性舞蹈影像的歷史發(fā)展脈絡(luò)為軸,追溯早期舞蹈電影(Cine-dance)、錄像舞蹈(Video Dance)、為鏡頭而舞(Dance for Camera)、數(shù)字舞蹈(Digital Dance)等不同階段的舞蹈影像形態(tài)與歷史源流,并對舞蹈影像與實(shí)驗(yàn)性舞蹈影像進(jìn)行了概念辨析與闡釋,指出在研究歐美舞蹈影像界定時應(yīng)注意從兩個維度進(jìn)行把握:一是根據(jù)縱向上舞蹈影像緣起的時間維度,結(jié)合舞蹈影像在特定歷史時期的文化背景、藝術(shù)思潮、觀念發(fā)展來考察其當(dāng)時的術(shù)語命名;二是在技術(shù)革新視閾下依托舞蹈影像的媒體傳播方式、媒介形態(tài)變遷來認(rèn)知其術(shù)語稱謂。舞蹈影像的英文術(shù)語使用與概念修訂標(biāo)明了其在不同時期媒介、載體的區(qū)別與實(shí)踐側(cè)重。歐美舞蹈影像的概念是一個隨著技術(shù)變革與媒介形態(tài)演進(jìn)下與時俱進(jìn)的開放體系。文章最后考察了歐美舞蹈影像發(fā)展的前沿動態(tài),梳理歐美實(shí)驗(yàn)性舞蹈影像的研究情況與相關(guān)問題。
[Abstract]:Based on the historical development of experimental dance images in Europe and the United States, this paper traces the forms and historical origins of the early dance films (Cine-dance) and the video dance (Video Dance), in different stages, such as (Dance for Camera), digital dance (Digital Dance), and so on. This paper also analyzes and interprets the concept of dance image and experimental dance image, and points out that in studying the definition of dance image in Europe and the United States, attention should be paid to two dimensions: one is based on the time dimension of the origin of the dance image. Combining the cultural background, artistic trend of thought and concept development of dance image in a specific historical period to investigate the nomenclature of dance image at that time; second, the media communication way of relying on dance image under the visual threshold of technological innovation, Media form changes to recognize its terminology. The use of English terminology and conceptual revision of dance images indicate the difference and practice of media, carriers and practice in different periods. The concept of dance image in Europe and America is an open system with the development of technology and media form. Finally, the paper reviews the development of European and American dance images, combing the research situation and related issues of experimental dance images in Europe and the United States.
，

本文編號：2254895