50年來的維吾爾歌舞藝術(shù)研究綜述
發(fā)布時(shí)間：2018-08-20 16:20
【摘要】： 豐富多彩的維吾爾歌舞藝術(shù)研究規(guī)模日益壯大,為了促進(jìn)研究工作向更深更廣的角度發(fā)展,筆者按照“十五”國(guó)家重點(diǎn)藝術(shù)科研課題《維吾爾歌舞藝術(shù)研究》課題組的安排,從不同角度對(duì)近五十年關(guān)于維吾爾歌舞藝術(shù)研究的論文和論著作了一次系統(tǒng)的搜集整理。在整理分析過程中,筆者按照維吾爾歌舞藝術(shù)的歷史衍變過程和存在空間將維吾爾歌舞藝術(shù)分為以下六部分: 緒論部分,筆者主要提出了本文的研究緣起、研究方法及資料來源,并對(duì)維吾爾歌舞藝術(shù)進(jìn)行了界定。 第二、三、四部分,分別從本體和文化環(huán)境兩個(gè)切入點(diǎn),對(duì)有關(guān)維吾爾族民間歌舞、以十二木卡姆為代表的維吾爾族古典歌舞、維吾爾族宗教禮儀歌舞的研究成果進(jìn)行了整理和分析。 第五部分,總體整理歸納了維吾爾族民間歌舞、以十二木卡姆為代表的維吾爾族古典歌舞、維吾爾族宗教禮儀歌舞形成與發(fā)展歷史的研究狀況。 第六部分,是對(duì)所整理歸納的論文論著,從筆者的觀察層面上提出的個(gè)人分析,并對(duì)維吾爾歌舞藝術(shù)的研究趨勢(shì)作出了分析。
[Abstract]:In order to promote the development of the research work from a deeper and wider perspective, the author follows the arrangement of the National key Art Research Project of the Tenth Five-Year Plan, "Uygur singing and Dance Art Research", in order to promote the development of the research work of Uygur singing and Dance Art. This paper makes a systematic collection of papers and works about Uygur singing and dancing art in recent 50 years from different angles. In the process of collation and analysis, the author divides the art of Uyghur song and dance into the following six parts according to the historical evolution and existing space of Uygur singing and dancing art: introduction, The author mainly puts forward the origin, research method and data source of this paper, and defines the art of Uygur singing and dancing. The second, third and fourth parts, from the two entry points of Noumenon and Cultural Environment, respectively, on the Uygur folk songs and dances, represented by the twelve Mukam, are Uygur classical songs and dances. The research results of Uygur religious ritual singing and dancing are sorted out and analyzed. The fifth part, summarized the Uygur folk songs and dances, the Uygur classical songs and dances represented by the twelve Mukam, the formation and development of Uygur religious rituals and dance history. In the sixth part, the author puts forward the personal analysis from the author's observation level, and analyzes the research trend of Uygur singing and dancing art.
【學(xué)位授予單位】：新疆師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2007
【分類號(hào)】：J722.7
本文編號(hào)：2194246
[Abstract]:In order to promote the development of the research work from a deeper and wider perspective, the author follows the arrangement of the National key Art Research Project of the Tenth Five-Year Plan, "Uygur singing and Dance Art Research", in order to promote the development of the research work of Uygur singing and Dance Art. This paper makes a systematic collection of papers and works about Uygur singing and dancing art in recent 50 years from different angles. In the process of collation and analysis, the author divides the art of Uyghur song and dance into the following six parts according to the historical evolution and existing space of Uygur singing and dancing art: introduction, The author mainly puts forward the origin, research method and data source of this paper, and defines the art of Uygur singing and dancing. The second, third and fourth parts, from the two entry points of Noumenon and Cultural Environment, respectively, on the Uygur folk songs and dances, represented by the twelve Mukam, are Uygur classical songs and dances. The research results of Uygur religious ritual singing and dancing are sorted out and analyzed. The fifth part, summarized the Uygur folk songs and dances, the Uygur classical songs and dances represented by the twelve Mukam, the formation and development of Uygur religious rituals and dance history. In the sixth part, the author puts forward the personal analysis from the author's observation level, and analyzes the research trend of Uygur singing and dancing art.
【學(xué)位授予單位】：新疆師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2007
【分類號(hào)】：J722.7
【引證文獻(xiàn)】
相關(guān)碩士學(xué)位論文 前3條
1 穆特拜爾;哈密地區(qū)伊吾縣淖毛湖鎮(zhèn)木卡姆班社研究[D];新疆師范大學(xué);2010年
2 王鴻;新疆維吾爾木卡姆傳承中心運(yùn)行現(xiàn)狀及發(fā)展研究[D];新疆師范大學(xué);2011年
3 董冰;哈密木卡姆班社調(diào)查研究[D];新疆師范大學(xué);2012年
，本文編號(hào)：2194246
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