【摘要】：正薩滿(mǎn)"博"舞作為闡釋教義和溝通人與神的藝術(shù)化呈現(xiàn),是蒙古族一種古老而獨(dú)特的文化現(xiàn)象。原始薩滿(mǎn)借助舞蹈"上祈人愿、下傳神諭",并在這一過(guò)程中形成了自己古樸、粗獷、凝重的舞蹈特色。16世紀(jì)中葉,隨著薩滿(mǎn)教退出歷史舞臺(tái),大部分歌舞形式也隨之散失。但是,作為人類(lèi)精神中有價(jià)值的文化成果,它仍然保留在蒙古族的精神生活中。當(dāng)下,隨著"博"文化被列入國(guó)家非物質(zhì)文化遺產(chǎn),薩滿(mǎn)舞蹈也以其原生性的
[Abstract]:As an ancient and unique cultural phenomenon, Zhengshaman's "Bo" dance, as an interpretation of the doctrine and the communication between man and God, is an ancient and unique cultural phenomenon of the Mongols. The primitive shaman made use of the dance "pray for the wish of the above, pass the oracle down", and in this process formed his own simple, rugged, dignified dance characteristic. In the middle of the 16th century, with the Shamanism withdrawing from the historical stage, most of the forms of singing and dancing were also lost. However, as a valuable cultural achievement in the human spirit, it still remains in the spiritual life of the Mongols. Nowadays, with the "Bo" culture being listed as the national intangible cultural heritage, shaman dance is also original.
【分類(lèi)號(hào)】：J722.22

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