【摘要】：正從學(xué)生時代的訓(xùn)練,到專業(yè)演員舞臺上的實(shí)踐,再到教師崗位的傳承,筆者發(fā)現(xiàn),芭蕾除了需要良好的外在身體條件外,還需要具備對音樂的把握能力,對舞蹈的表現(xiàn)能力,對所塑造人物的創(chuàng)造力和想象力,以及對動作的控制能力。而這些需要具備的能力都是由意識來支配的。所謂意識,就是指人所特有的高級心理活動,它一經(jīng)產(chǎn)生便有相對的獨(dú)立性,并能能動地反映客觀事實(shí),是人腦對客觀物質(zhì)世界的反映,是感覺思維等各種心理過程的總和。從哲學(xué)的
[Abstract]:From the training as a student, to the practice on the stage of a professional actor, to the inheritance of a teacher's post, the author finds that in addition to having good external physical conditions, ballet also needs to have the ability to grasp music and to express itself in dance. The creativity and imagination of the characters created, and the ability to control the movements. And all these abilities are dictated by consciousness. The so-called consciousness refers to the special high-level psychological activity of human being. Once it comes into being, it has relative independence and can actively reflect the objective facts. It is the reflection of human brain to the objective material world and the summation of various psychological processes such as feeling thinking and so on. From a philosophical perspective
【分類號】：J722.5-4
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本文編號：2190143