【摘要】：本文通過對新中國成立前膠州秧歌藝術(shù)形態(tài)產(chǎn)生、發(fā)展,并在風(fēng)格上漸趨成熟的前在"內(nèi)質(zhì)"梳理,認(rèn)為新中國成立前后解放區(qū)的社會土地改革,50年代國家對文藝發(fā)展的內(nèi)政、外交需求以及文藝政策導(dǎo)向,促使膠州秧歌從形式到內(nèi)容全方面接受改造,形成與新中國成立前藝術(shù)風(fēng)格的重要反差與流變。"文革"十年膠州秧歌面臨藝術(shù)斷層。改革開放政策下,社會主義市場經(jīng)濟(jì)體制逐步確定、深化與完善,使得轉(zhuǎn)型之后的膠州秧歌無從應(yīng)對新時代經(jīng)濟(jì)語境一種尷尬境況,經(jīng)濟(jì)全球化背景下國家文藝政策有了再思考與新策略。
[Abstract]:By combing the appearance and development of Yangko art in Jiaozhou before the founding of New China, and gradually maturing in style before the founding of the people's Republic of China, the author thinks that the social land reform in the liberated areas before and after the founding of New China and the internal affairs of the state to the development of literature and art before and after the founding of the people's Republic of China. Diplomatic demand and literary and artistic policy guidance have prompted Jiaozhou Yangge to be transformed in all aspects from form to content, forming an important contrast and evolution with the artistic style before the founding of New China. " During the Cultural Revolution, Jiaozhou Yangko faced an artistic fault in ten years. Under the policy of reform and opening up, the socialist market economic system is gradually determined, deepened and perfected, which makes Jiaozhou Yangko unable to cope with an awkward situation in the economic context of the new era after the transformation. Under the economic globalization background, the national literature and art policy has rethought and the new strategy.
【作者單位】： 齊魯師范學(xué)院音樂學(xué)院;
【基金】：齊魯師范學(xué)院校級青年教師科研基金項目“膠州秧歌藝術(shù)流變研究”(課題編號2017W0703)研究成果
【分類號】：J722.211

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