本文選題：《天涼好個秋》 + 敘事聚焦��； 參考：《北京舞蹈學院學報》2017年05期

【摘要】：本文以法國敘事學家熱拉爾·熱奈特《敘事話語》中的敘事理論為出發(fā)點,分析舞劇《天涼好個秋》的敘事特點。從敘事聚焦、敘事結構和敘事技巧三個方面,分析編導以無固定視角的"零聚焦"展開故事結構,同時又保留著"外聚焦"的"未定點"及客觀態(tài)度。在舞劇的敘事性上,作品努力將"舞""劇"相融,充分挖掘舞蹈語言的敘事功能。在不依賴文字敘事的前提下,以舞蹈本體進行敘事,并以舞蹈邏輯結構舞劇,將一元線性的邏輯敘述轉變?yōu)槎嘣⑿械那楦斜磉_,巧妙規(guī)避以文本結構替代舞劇結構的問題。文中提出"以小見大""極簡至美"的作品特點,即通過一個具體的事件講述生活哲學,并以極簡的形式展開一場有關生死的唯美討論。
[Abstract]:Based on the narrative theory of French narratologist Gerard Genett, this paper analyzes the narrative characteristics of the dance play "Tianlianghaoqiuqiu". From three aspects of narrative focus, narrative structure and narrative technique, this paper analyzes the story structure of "Zero focus" which has no fixed angle of view, while retaining the "undecided point" and objective attitude of "external focus". In the narrative of dance drama, the works try to blend "dance" and "drama" and fully excavate the narrative function of dance language. On the premise of not relying on written narration, this paper uses dance Noumenon to narrate, and dance logic structure dance drama, the logic narration of univariate linear transformation into multiple parallel emotional expression, skillfully avoid the problem of replacing the structure of dance drama with text structure. In this paper, the author puts forward the characteristics of the works of "seeing the whole" minimalism to beauty "through a small part, that is to say, the philosophy of life is described through a concrete event, and a discussion on the beauty of life and death is carried out in the form of minimalism.
【作者單位】： 國防大學軍事文化學院;
【分類號】：J723
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本文編號：2114912