發(fā)布時(shí)間：2018-07-04 21:33

  本文選題：釋比 + 角色塑造��； 參考：《舞蹈》2015年07期

【摘要】：正2015年,我有幸參與了北京舞蹈學(xué)院民間舞系田露教授《緣從民間來(lái)》作品《春禱》的創(chuàng)作和表演。作為一名舞者,雖然參與過(guò)很多作品的編創(chuàng)和表演,但每一個(gè)角色對(duì)于我來(lái)講都是挑戰(zhàn)。而這次作品中對(duì)于"釋比"的詮釋,讓我再次重溫了角色與自己從相斥到交融的感覺(jué)。從尋他,到悟他,到演他,到最后的"形無(wú)心有他",不斷地思考我如何成為他,他如何成就我。作為演員,我一直奉行將有形化為無(wú)形,將表演化為無(wú)表演。我認(rèn)為這樣的角色塑造才是真實(shí)的,才能沁入人心,最終與觀眾產(chǎn)生共鳴。這種表演的力量是強(qiáng)有力的,是極具穿透力的。
[Abstract]:In 2015, I had the honour to participate in the creation and performance of Professor Tian Lu, Department of Folk Dance, Beijing Dance Academy. As a dancer, although I have been involved in the creation and performance of many works, each role is a challenge for me. And the interpretation of Shi bi in this work makes me relive the feeling of the character and myself from being repulsive to mingling with each other. From looking for him to realizing him to acting him, to the final "no intention to have him", constantly thinking about how I became him, how he made me. As an actor, I have always been committed to the visible into the invisible, performance into no performance. I think this kind of role-building is real, can reach the heart, and finally resonate with the audience. The power of this performance is powerful and penetrating.
【分類號(hào)】：J722.21
，

本文編號(hào)：2097520