本文選題：龍舞 + 浦江板凳龍��； 參考：《中國(guó)藝術(shù)研究院》2008年碩士論文

【摘要】： 本文以中國(guó)龍舞為背景,將浙江省浦江縣的民間龍舞藝術(shù)——板凳龍作為具體研究對(duì)象,運(yùn)用文化人類(lèi)學(xué)、舞蹈生態(tài)學(xué)等方法,對(duì)浦江板凳龍進(jìn)行了系統(tǒng)考察與研究。旨在(一)考察研究浦江板凳龍的歷史發(fā)展脈絡(luò),對(duì)其現(xiàn)狀進(jìn)行分析調(diào)查,以達(dá)到保護(hù)和發(fā)揚(yáng)該民間文化之目的;(二)通過(guò)浦江板凳龍研究,歸納總結(jié)其藝術(shù)風(fēng)格特征,充實(shí)民間舞蹈理論研究;(三)探討浦江板凳龍的文化意義和社會(huì)功能,挖掘該民間舞蹈的存在價(jià)值,并使其不斷發(fā)展。 本論文由引言和四個(gè)章節(jié)構(gòu)成。引言交代了本文的研究緣起、目的意義、浦江板凳龍的研究現(xiàn)狀以及研究方法和擬解決問(wèn)題。第一章概述了中國(guó)龍文化以及龍舞藝術(shù)的歷史發(fā)展與總體特征,作為本文寫(xiě)作的背景;并將文獻(xiàn)研究和民間考察相結(jié)合,梳理浦江板凳龍的歷史發(fā)展脈絡(luò):第二章通過(guò)對(duì)浦江板凳龍的實(shí)地考察,從地理環(huán)境和宗族民間禮俗兩方面介紹了浦江板凳龍的依存背景,并描述浦江板凳龍的表演盛況及目前的傳承情況;第三章對(duì)浦江板凳龍進(jìn)行了舞蹈形態(tài)風(fēng)格分析,從舞蹈本體層面把握浦江板凳龍的整體特征;第四章結(jié)合中華龍舞精神,探討浦江板凳龍的文化內(nèi)涵及功能。
[Abstract]:This paper takes the Chinese dragon dance as the background, takes the folk dragon dance art of Pujiang County, Zhejiang Province, as the concrete research object, uses the cultural anthropology, dance ecology method and so on, has carried on the systematic investigation and the research to the Pujiang bench dragon. The purpose of this paper is to (1) investigate and study the historical development of Pu Jiang Banxianglong, and analyze and investigate its present situation in order to protect and carry forward the folk culture; (2) through the study of Pujiang Banxianglong, summarize its artistic style. Enrich the study of folk dance theory; (3) probe into the cultural significance and social function of Pujiang bench dragon, excavate the existence value of this folk dance, and make it develop continuously. This paper consists of an introduction and four chapters. The preface explains the origin and significance of the research, the present research situation, the research methods and the problems to be solved. The first chapter summarizes the historical development and general characteristics of Chinese dragon culture and the art of dragon dance as the background of this paper, and combines literature research with folk investigation. Combing the historical development of Pujiang Banxianglong: the second chapter introduces the background of Pujiang Banxianglong's dependence from two aspects of geographical environment and clan and folk customs through the field investigation of Pujiang Banxianglong. The third chapter analyzes the dance form style of Pujiang bench dragon, and grasps the overall characteristics of Pujiang bench dragon from the aspect of dance ontology; the fourth chapter combines the spirit of Chinese dragon dance, and describes the performance of Pujiang bench dragon and its present inheritance; the third chapter analyzes the dance form style of Pujiang bench dragon, and grasps the overall characteristics of Pujiang bench dragon from the aspect of dance ontology. This paper probes into the cultural connotation and function of Pujiang Banxianglong.
【學(xué)位授予單位】：中國(guó)藝術(shù)研究院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2008
【分類(lèi)號(hào)】：J722.214

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前2條

1 韋華麗;北泉板凳龍文化的現(xiàn)狀與傳承[D];西南大學(xué);2012年

2 段曉娟;重慶地區(qū)北泉板凳龍舞研究[D];重慶大學(xué);2012年

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本文編號(hào)：2093241