本文選題：新中國年 + 舞蹈藝術(shù)　； 參考：《藝術(shù)百家》2009年05期

【摘要】：在新中國成立60周年國慶日前正式公演的大型音樂舞蹈史詩《復(fù)興之路》,被認為是繼《東方紅》和《中國革命之歌》之后的第三部"史詩性"作品。其實,在新中國成立前夕演出的大歌舞《人民勝利萬歲》,其所具有的"史詩性"品質(zhì)可視為《東方紅》的先聲�？v觀新中國舞蹈藝術(shù)輝煌發(fā)展的60年,就是我們的舞蹈家為建設(shè)新中國的人民文藝而奮斗的60年。事實上,從毛澤東"文藝為最廣大的人民群眾服務(wù)"到鄧小平"人民是文藝工作者的母親",從江澤民"在人民的歷史創(chuàng)造中進行藝術(shù)的創(chuàng)造"到胡錦濤"文藝工作者要積極反映人民心聲",從我們長期堅持的"二為"方向到新近倡導(dǎo)的"三貼近"原則,都明確說明"人民文藝"的理念是我們優(yōu)秀舞蹈藝術(shù)作品的生命之源和精神之光�？陀^上,新中國舞蹈藝術(shù)在60年間的發(fā)展也并非一帆風(fēng)順。但回望這段經(jīng)歷可以清楚地看到,塵埃落定而光彩依然的舞作必定來自生活沃壤的饋贈,歲月逝去而青春永駐的舞人也必定來自扎根生活的信念。有人說,舞劇是舞蹈藝術(shù)的最高體現(xiàn)。其實,除了蘇聯(lián)時期在相當長一個時段內(nèi)比較重視舞劇藝術(shù)之外,目前世界范圍內(nèi)還沒有哪個國家有中國在新時期所誕生的這么數(shù)量眾多而又精彩紛呈的舞劇作品。暫且不論我們的舞劇創(chuàng)作之間存在多大差別,僅僅目前這所有的舞劇創(chuàng)作作品,就是我們舞蹈家共同貢獻給這個偉大時代的巨大藝術(shù)成果和精神財富。
[Abstract]:The large-scale musical dance epic "the Road to Renaissance", which was officially performed before the 60th Anniversary of the founding of New China, is considered to be the third "Historical Poetry" after "Dongfanghong" and "Song of the Chinese Revolution". In fact, on the eve of the founding of New China, the great song and dance "Viva Victory of the people", its "historical poetic" quality can be regarded as the "Dongfanghong" pioneer. The 60 years of the brilliant development of dance art in New China are the 60 years that our dancers strive for the construction of people's literature and art in New China. In fact From Mao Zedong, "Literature and Art serves the masses of the people" to Deng Xiaoping, "the people are the Mother of Literary and Art Workers", and from Jiang Zemin, "creating art in the people's history" to "Hu Jintao", the writers and artists should accumulate. Reflecting the aspirations of the people, "from the" two as "direction that we have long insisted on to the" three close "principle that we have recently advocated," It is clear that the concept of "people's Literature" is the source of life and spiritual light of our excellent dance works. Objectively speaking, the development of Chinese dance art in 60 years is not smooth sailing. But looking back at this experience, it is clear that the dust settled and still shining dance works must come from the gift of the fertile earth of life, and the dancing people who have passed the years and the youth forever must come from the belief of taking root in life. Some people say that dance drama is the highest embodiment of dance art. In fact, in addition to the Soviet period in a very long period of time more attention to the art of dance, at present no country in the world has China in the new era of the birth of so many and colorful dance works. For the time being, whatever the difference between the creation of our dance dramas, all of them are the great artistic achievements and spiritual wealth that our dancers have jointly contributed to this great era.
【作者單位】： 文化部文化科技司;
【基金】：國家“211工程”三期“藝術(shù)學(xué)理論創(chuàng)新與應(yīng)用研”項目階段性成果之一
【分類號】：J709.2

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