本文選題：塔吉克族“鷹舞” + 傳承方式　； 參考：《北京舞蹈學(xué)院》2015年碩士論文

【摘要】：塔吉克族“鷹舞”,是我國第一批列入“國家級(jí)非物質(zhì)文化遺產(chǎn)”名錄的新疆地區(qū)民間舞蹈。塔吉克族自古生活在我國西陲帕米爾高原,其樂舞文化多帶有“絲綢古道”的文化遺存,和高原樂舞所特有的厚重與沉穩(wěn),這使得塔吉克族舞蹈文化資源顯得更加獨(dú)特與珍貴。本文以塔吉克族“鷹舞”的實(shí)地考察資料為研究對(duì)象,對(duì)其傳承方式和文化變遷進(jìn)行研究與論述。從塔吉克族“鷹舞”的文化傳承過程中,我們可以看到時(shí)代的變遷、人文環(huán)境的變化,以及國家提出的“非遺保護(hù)項(xiàng)目”政策的實(shí)施等因素,對(duì)塔吉克族“鷹舞”文化發(fā)展具有重要的影響。一方面,社會(huì)與人文環(huán)境的變化改變了塔吉克族“鷹舞”傳統(tǒng)的傳承方式,擴(kuò)展了傳承渠道。另一方面,多種傳承方式、多種時(shí)代文化不同程度的影響著“鷹舞”文化的變遷。本文,就塔吉克族“鷹舞”現(xiàn)在的傳承方式進(jìn)行了梳理,從中,認(rèn)識(shí)到多種傳承方式的共存契合時(shí)代的需要。然而“鷹舞”的延續(xù)不是一成不變的,它伴隨著人們的社會(huì)生活的發(fā)展而改變,不僅僅是一種民間自娛娛人的舞蹈形式,而更多的是帶有社會(huì)文化性的樂舞文化。本文試圖探討現(xiàn)階段“鷹舞”自身有效性的傳承方式,探討科學(xué)而賦有時(shí)代性的舞蹈文化變遷問題。塔吉克族“鷹舞”從傳承方式到樂舞文化的變遷,其變化不僅僅在于民間和舞臺(tái)的表演形式,而更多的是當(dāng)今這種多元文化對(duì)民間舞蹈的傳承與發(fā)展現(xiàn)狀影響的反思。
[Abstract]:The Tajik "Eagle Dance" is the first folk dance in Xinjiang region which is listed as "National Intangible Cultural Heritage". The Tajik people have lived in the Pamir Plateau in the western border of China since ancient times. Most of their music and dance culture have the cultural relics of the "Silk Road", and the unique thickness and stability of the plateau music and dance, which makes the cultural resources of the Tajik dance more unique and precious. Based on the field investigation data of Tajik Eagle Dance, this paper studies and discusses its inheritance and cultural changes. From the cultural heritage of the Tajik "Eagle Dance", we can see the changes of the times, the changes of the humanistic environment, and the implementation of the "non-legacy protection project" policy put forward by the state. It has an important influence on the cultural development of the Tajik Eagle Dance. On the one hand, the change of social and humanistic environment has changed the traditional inheritance of Tajik Eagle Dance and expanded the channel of inheritance. On the other hand, various ways of inheritance and culture of different times influence the cultural changes of Eagle Dance. In this paper, the Tajik "Eagle Dance" of the present inheritance mode is combed, from which, realize that the coexistence of a variety of inheritance to meet the needs of the times. However, the continuation of "Eagle Dance" is not inflexible. It changes with the development of people's social life. It is not only a form of folk entertainment, but also a culture of music and dance with social culture. This paper attempts to discuss the inheritance mode of Eagle Dance's own validity at the present stage, and discuss the cultural changes of dance which is scientific and epochal. The change from inheritance to music and dance culture of Tajik "Eagle Dance" lies not only in the performance form of folk and stage, but also in the reflection of the influence of this multi-culture on the inheritance and development of folk dance.
【學(xué)位授予單位】：北京舞蹈學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類號(hào)】：J722.22

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