本文選題：中國古典舞 + 身韻　； 參考：《解放軍藝術(shù)學(xué)院學(xué)報》2016年01期

【摘要】：從"身段"到"身法"再到"身韻",解放軍藝術(shù)學(xué)院舞蹈系在全國最早、最系統(tǒng)地將中國古典舞"身韻"作為一門獨立的專業(yè)訓(xùn)練課程,納入其中專教育層次的課程設(shè)置當(dāng)中。這既是遠見的思考,也是歷史的必然,給了軍隊舞蹈一個最深層、最自洽的審美載體與文化載體。經(jīng)過傳承與堅守,在定位性質(zhì)、審美特征、教學(xué)思路、訓(xùn)練目標等方面業(yè)已形成相對獨立的、純粹的、專業(yè)的訓(xùn)練理念與實踐。這是軍藝舞蹈系對中國古典舞身韻的一種身份認可、文化認可、價值認可。
[Abstract]:From "body" to "body method" to "body rhyme", the dance department of PLA Academy of Art is the earliest in the country, and systematically regards "body rhyme" of Chinese classical dance as an independent professional training course, which is included in the curriculum at the level of specialized education. This is not only the thinking of foresight, but also the necessity of history, which gives the military dance the deepest and most consistent aesthetic carrier and cultural carrier. Through inheritance and persistence, relatively independent, pure and professional training concepts and practices have been formed in the aspects of orientation, aesthetic characteristics, teaching ideas, training objectives, etc. This is a kind of identity recognition, cultural recognition and value recognition of Chinese classical dance in military dance department.
【作者單位】： 解放軍藝術(shù)學(xué)院;
【分類號】：J722.4

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