本文選題：劇場(chǎng)化 + 大眾化�。� 參考：《北京舞蹈學(xué)院學(xué)報(bào)》2017年02期

【摘要】：在中國近現(xiàn)代當(dāng)代舞蹈史的發(fā)展進(jìn)程中,文藝與大眾緊密聯(lián)系,這使得群眾舞蹈的發(fā)生具有一定社會(huì)與歷史必然性。本文認(rèn)為,以新世紀(jì)為時(shí)間節(jié)點(diǎn),從新中國成立以來至新世紀(jì)以前,群眾舞蹈結(jié)合中國舞蹈史發(fā)展的具體性而呈現(xiàn)走向劇場(chǎng)的精英化的歷程,其特點(diǎn)是呈現(xiàn)出由現(xiàn)代性的“分化”功能所帶來的一系列藝術(shù)本體的相應(yīng)轉(zhuǎn)變;而進(jìn)入新世紀(jì)以來,由于新興的消費(fèi)社會(huì)的崛起和大眾文化的世俗性與娛樂性要求,群眾舞蹈的空間又呈現(xiàn)出向廣場(chǎng)回歸的傾向,以健身怡情為主要目的廣場(chǎng)舞之興起,則體現(xiàn)后現(xiàn)代社會(huì)中“去分化”的力量,生活的質(zhì)樸與生動(dòng)由此延展進(jìn)以往代表著陽春白雪的藝術(shù)世界。
[Abstract]:In the development process of Chinese modern dance history, literature and art are closely related to the masses, which makes the occurrence of mass dance have certain social and historical inevitability. This paper holds that, taking the new century as the time node, from the founding of New China to the beginning of the new century, the mass dance, combined with the concreteness of the development of the history of Chinese dance, presents the course of excellence towards the theatre. It is characterized by the corresponding changes of a series of artistic Noumenon brought about by the function of "differentiation" of modernity, and since the beginning of the new century, due to the rise of the emerging consumer society and the secular and entertaining requirements of popular culture, The space of mass dance shows the tendency of returning to square again. The rise of square dance, whose main purpose is fitness and happiness, reflects the power of "dedifferentiation" in the post-modern society. The simplicity and vividness of life extend into the artistic world that used to represent the bright spring and snow.
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本文編號(hào)：2043627