本文選題：天津 + 民間舞蹈�。� 參考：《天津音樂學(xué)院學(xué)報(bào)》2017年03期

【摘要】：天津地區(qū)民間舞蹈有著獨(dú)特的文化背景和傳承歷史。本文從天津民間舞蹈的起源、歷史、現(xiàn)狀、前瞻四個(gè)層面入手,對其傳承與發(fā)展進(jìn)行了歷時(shí)性的縱向梳理與歸納:總結(jié)出天津地區(qū)民間舞蹈在漕運(yùn)文化、民間信仰、民俗活動的共同作用下產(chǎn)生;從明清至今經(jīng)歷了"興盛——變革——復(fù)蘇——危機(jī)"的發(fā)展歷程;在當(dāng)今憑借不同經(jīng)濟(jì)來源保存了會、隊(duì)、團(tuán)三種傳承載體,但在現(xiàn)代化大潮影響下仍面臨著人員、場域、受眾、審美等問題,不得不對其進(jìn)行組織改革和表演創(chuàng)新;最后以文化性和藝術(shù)性的視角進(jìn)行展望,得出天津地區(qū)民間舞蹈未來的傳承與發(fā)展勢必要在記錄傳統(tǒng)和大膽創(chuàng)新的統(tǒng)一中實(shí)現(xiàn)。
[Abstract]:Tianjin folk dance has a unique cultural background and heritage history. Starting with the origin, history, present situation and prospect of Tianjin folk dance, this paper makes a diachronic arrangement and induction of its inheritance and development: summing up Tianjin folk dance culture and folk belief in Caoyun culture. Folklore activities came into being together; from Ming and Qing dynasties up to now, they have experienced the development process of "prosperity, change, recovery and crisis". Today, they have preserved three kinds of carriers, namely, meeting, team and regiment, depending on different economic sources. However, under the influence of the tide of modernization, it still faces the problems of personnel, field, audience, aesthetics and so on, so it has to carry out organizational reform and performance innovation. Finally, it looks forward to it from the perspective of culture and art. It is concluded that the future inheritance and development of folk dance in Tianjin must be realized in the unification of recording tradition and bold innovation.
【作者單位】： 天津音樂學(xué)院;天津音樂學(xué)院舞蹈系;天津民間舞蹈研究項(xiàng)目組;
【基金】：天津市藝術(shù)科學(xué)規(guī)劃項(xiàng)目中“天津地區(qū)民間舞蹈的挖掘與研究”課題的理論研究成果之一
【分類號】：J722.21
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本文編號：2039022