本文選題：跳五猖 + 儀式��； 參考：《南京藝術(shù)學(xué)院學(xué)報(bào)(美術(shù)與設(shè)計(jì))》2017年06期

【摘要】：本文結(jié)合田野考察,將歷史記載中的"跳五猖"儀式、1993年的"跳五猖"恢復(fù)首演與2017年正月十三的"跳五猖"展演相比較,發(fā)現(xiàn)祠山神祭祀及"跳五猖"的命運(yùn)歷經(jīng)歷史的風(fēng)雨跌宕,表現(xiàn)形式和參與者的意識(shí)形態(tài)已經(jīng)有了根本性的轉(zhuǎn)變,進(jìn)而從順延——即對(duì)跳五猖的興衰起決定作用的權(quán)力階層的意志,和廣延——具有能動(dòng)性的民眾們賦予它新的意義兩個(gè)層面探討轉(zhuǎn)變的背后"跳五猖"儀式的再創(chuàng)造。
[Abstract]:Based on field investigation, this paper compares the historically recorded "Jump five rampant" ceremony and the "Jump five rampant" first run in 1993 with the "Jump five rampant" in January 13, 2017. It was found that the fate of the sacrifice of the temple, the mountain god and the "jumping five rages" had undergone historical ups and downs, and the forms of expression and the ideology of the participants had undergone a fundamental change. Then, from two aspects of the will of the power class that plays a decisive role in the rise and fall of FJV, and the new meaning given to it by the active people, this paper discusses the re-creation of the "Jump five rampant" ritual behind the change.
【作者單位】： 南京藝術(shù)學(xué)院設(shè)計(jì)學(xué)博士后流動(dòng)站;
【基金】：2016年江蘇省博士后科研資助《人類學(xué)視野下胥河沿岸跳五猖儀式研究》階段性成果 2016年南京林業(yè)大學(xué)青年科技創(chuàng)新基金項(xiàng)目,《藝術(shù)人類學(xué)視野下南京民間手工藝研究》階段性成果(CX2016036)
【分類號(hào)】：J722.29
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本文編號(hào)：2022538