本文選題：武術(shù) + 舞蹈��； 參考：《體育與科學》2016年01期

【摘要】：以歷史現(xiàn)象主義視角對舞蹈和武術(shù)的演進關(guān)系進行了研究。研究發(fā)現(xiàn)二者的演進遵循同源異構(gòu)、互滲趨同的邏輯關(guān)系。具體表現(xiàn)為:武術(shù)與舞蹈同源于巫術(shù)儀式中人的身體動作,二者在語用學和語源學存在互用或共用現(xiàn)象;在異構(gòu)方面,出現(xiàn)了巫舞和武舞兩種獨立的身體文化現(xiàn)象;隨后的演進中二者再次出現(xiàn)了相互吸收的體用互滲現(xiàn)象;趨同方面共同表現(xiàn)為天人合一和禮儀教化、神圣到世俗、屈從于消費文化和西方體育競技文化;唯有保持舞蹈和武術(shù)原初的自律性,方能促使二者的可持續(xù)發(fā)展。
[Abstract]:This paper studies the evolutionary relationship between dance and martial arts from the perspective of historical phenomenalism. It is found that the evolution of the two follows the logical relationship of homologous isomerism and mutual permeation convergence. It is shown that Wushu and dance both originate from the body movements of people in witchcraft rituals, and there are mutual use or common phenomena between them in pragmatics and etymology, and in heterogeneous aspects, there are two kinds of independent body culture phenomena: Witchcraft dance and martial arts dance. In the subsequent evolution, there is a phenomenon of mutual absorption and mutual infiltration of body and use; the convergence of nature and human beings and etiquette education, sacred to secular, subservient to consumer culture and western sports culture; Only by maintaining the self-discipline of dance and martial arts can the sustainable development of both be promoted.
【作者單位】： 皖西學院體育學院;對外經(jīng)濟貿(mào)易大學體育部;對外經(jīng)濟貿(mào)易大學國際商學院;
【分類號】：J709.2;G852

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本文編號：2021585