本文選題：舞蹈批評(píng) + 舞評(píng)�。� 參考：《北京舞蹈學(xué)院學(xué)報(bào)》2016年02期

【摘要】：近年來,舞評(píng)和其他文藝批評(píng)一道獲得了前所未有的重視。但是,有關(guān)舞評(píng)的一些核心問題卻尚未引起廣泛探討。本文旨在拋磚引玉,嘗試回答這樣四個(gè)問題。第一個(gè)問題:舞評(píng)為誰,即作為讀者,你看舞評(píng)嗎?作為舞評(píng)人,決定為誰寫這篇舞評(píng)?第二個(gè)問題:何為舞評(píng),即怎樣才算寫舞評(píng)?舞評(píng)人與編導(dǎo)之間應(yīng)建立怎樣的關(guān)系?舞評(píng)既有自己的特性,也具備其他文藝批評(píng)的共性。第三個(gè)問題,為何舞評(píng),即舞評(píng)人為什么寫舞評(píng)?為什么會(huì)關(guān)注這個(gè)作品?第四個(gè)問題,誰來舞評(píng),即如何成為一名專業(yè)的舞評(píng)人?如何應(yīng)對(duì)全媒體時(shí)代的到來?這些問題并不像看上去那么簡(jiǎn)單,而且都是一個(gè)專業(yè)舞評(píng)人必須要考慮到的。
[Abstract]:In recent years, dance criticism and other literary criticism have received unprecedented attention. However, some core issues of dance evaluation have not been widely discussed. The purpose of this paper is to try to answer four questions. The first question: who is the dance rating, that is, as a reader, do you see dance reviews? As a dance critic, decide for whom to write the dance review? The second question: what is a dance review, that is, how to write dance reviews? What kind of relationship should be established between the choreographer and the choreographer? Dance criticism not only has its own characteristics, but also has the commonness of other literary criticism. The third question, why dance reviews, that is, dance critics why write dance reviews? Why are you paying attention to this work? The fourth question, who will evaluate the dance, that is, how to become a professional dance critic? How to deal with the arrival of the media age? These questions are not as simple as they seem, and they are all a must-take into account by a professional dance critic.
【作者單位】： 北京舞蹈學(xué)院人文學(xué)院;
【分類號(hào)】：J705
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本文編號(hào)：1982009