發(fā)布時(shí)間：2018-05-31 00:26

  本文選題：藝術(shù)載體 + 《毛詩序》　； 參考：《舞蹈》2014年04期

【摘要】：正作為一種通過肢體律動傳達(dá)個(gè)人靈感、思想、情感的藝術(shù)載體,由于舞蹈的肢體技術(shù)的專業(yè)性、種類的繁復(fù)以及表現(xiàn)方式的多無元化等因素,致使人們常常容易視這門藝術(shù)中所蘊(yùn)育的文化內(nèi)涵及人文深意。作為一種通過肢體律動傳達(dá)個(gè)人靈感、思想、情感的藝術(shù)載體,由于舞蹈的肢體技術(shù)的專業(yè)性、種類的繁復(fù)以及表現(xiàn)方式的多元化等因素,致使人們常常容易忽視這門藝術(shù)中所蘊(yùn)育的文化內(nèi)涵及人文深意。其實(shí),早在中國古代樂舞理論《毛詩序》中對此就有生動的表述:"情動于
[Abstract]:As an artistic carrier that conveys personal inspiration, thought, and emotion through physical rhythm, due to the professional nature of the body technique of dance, the complexity of the variety and the variety of expression, and so on, As a result, people often look at the cultural connotations and humanistic implications of this art. As an artistic carrier that conveys personal inspiration, thought and emotion through physical rhythm, due to the professional nature of the body technique of dance, the complexity of the variety and the diversity of expression, etc. As a result, it is easy to ignore the cultural connotation and humanistic meaning of this art. In fact, as early as in ancient Chinese music and dance theory "Mao poem preface" there is a vivid expression of this: "emotion in the
【分類號】：J705

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本文編號：1957498