本文選題：身體文化 + 體育人類學(xué)��； 參考：《成都體育學(xué)院學(xué)報(bào)》2017年01期

【摘要】：依據(jù)儀式人類學(xué)的理論與方法,對(duì)岷江上游黑水河流域的藏族、羌族鎧甲舞開(kāi)展田野調(diào)查,研究認(rèn)為羌族戰(zhàn)士在出征儀式和戰(zhàn)后喪葬祭祀時(shí)會(huì)跳名為"哈日"和"克西格拉"的鎧甲舞,"哈日"的曲調(diào)激昂有力,內(nèi)容多是鼓勵(lì)武士英勇殺敵、勝利歸來(lái);而"克西格拉"音調(diào)低沉,反映對(duì)戰(zhàn)死沙場(chǎng)壯士的懷念和頌贊。而黑水縣的嘉絨藏族也會(huì)在壯士出征前身著牛皮甲,跳藏語(yǔ)稱作"卡斯達(dá)溫"的鎧甲舞。鎧甲舞在阿壩州藏羌聚居區(qū)流行,說(shuō)明其英勇好戰(zhàn)、信仰虔誠(chéng)的長(zhǎng)期民族戰(zhàn)爭(zhēng)傳統(tǒng)。鎧甲舞除具有歌舞的基本功能外,其社會(huì)功能還體現(xiàn)在祭祀儀式與神圣符號(hào)、尚武精神和社會(huì)整合、借助武舞儀式和形式宣泄情感。在現(xiàn)代化發(fā)展浪潮的沖擊下,藏羌鎧甲舞傳承面臨著嚴(yán)峻挑戰(zhàn),依據(jù)參與式發(fā)展方法對(duì)其保護(hù)已迫在眉睫,民族特色的保存對(duì)于多元文化的發(fā)展至關(guān)重要。
[Abstract]:Based on the theory and method of ritual anthropology, a field survey of Tibetan and Qiang armored dance in the upper reaches of Minjiang River was carried out. It is believed that Qiang soldiers will dance armour dance named "Hari" and "Keshigra" when they go out to the army ceremony and the funeral sacrifice after the war. The melody of "Hari" is vigorous, and the content is to encourage the warrior to kill the enemy valiantly and return victorious. The low tone of Kessigra reflects the memory and praise of the battlefield men who died in the war. In Kishui County, the Jiarong Tibetans will take the armor dance known as Kastavan in the Tibetan language. Armour dance is popular in Tibetan and Qiang areas of Aba Prefecture, indicating its long-term tradition of national war, which is heroic and belligerent. Besides the basic function of singing and dancing, the social function of armored dance is reflected in the ritual of sacrifice and sacred symbol, the spirit of martial arts and social integration, and the catharsis of emotion by means of ceremony and form of martial arts dance. Under the impact of the development of modernization, the inheritance of Tibetan Qiang armor dance is facing a severe challenge. It is urgent to protect it according to the participatory development method. The preservation of national characteristics is of great importance to the development of multi-culture.
【作者單位】： 華南師范大學(xué)體育科學(xué)學(xué)院;深圳大學(xué)體育部;四川大學(xué)體育科學(xué)研究所;
【基金】：國(guó)家社科基金資助項(xiàng)目“武舞歷史文化流變及其啟示的研究”(15CTY020)
【分類號(hào)】：J722.29

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