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對北京體育大學舞蹈劇目《舞俠》編創(chuàng)的分析與研究

發(fā)布時間:2018-05-26 23:20

  本文選題:舞蹈 + 太極。 參考:《北京體育大學》2013年碩士論文


【摘要】:舞蹈劇目《舞·俠》中舞蹈與太極元素的結合,為體育藝術未來的道路提供了有效途徑,更是為體育院校藝術類的發(fā)展開辟了一個全新的方向。在編創(chuàng)的思路上以一個“俠客”的人物形象貫穿于整個舞蹈中,作為這個作品的主題思想,利用“舞、武”的動作語言表現(xiàn)“俠、骨、柔、情”,詮釋了一場具有“武俠”精神的“舞俠”。舞蹈動作的風格特點時而含蓄,時而奔放;時而柔美,時而剛勁;時而舒緩,時而急促。既有中國古典舞的古樸大氣,又有中國太極文化的剛柔并進,將舞蹈與太極的柔美精致和力量激情完美的展現(xiàn)于整個舞蹈劇目中,把體育與藝術的結合點淋漓盡致的體現(xiàn)于這一舞蹈作品中。劇目《舞·俠》中,開場追光下的一男一女,象征著一剛一柔,一陰一陽,而這種陰陽結合,又體現(xiàn)出自然界事物之間的對立與關聯(lián)。該作品通過舞者塑造出來的俠客形象,進一步闡述了在當今紛繁的社會中,仍然有那么一些人,猶如江湖中的俠客一般,收著心中不變的信仰,活在當下,依舊保持著一顆忠肝義膽,俠骨柔情的心。舞蹈《舞·俠》中的動作語言與太極的氣韻相結合,但并未完全融合。 從2010年10月起至今,《舞·俠》已改版兩次,編創(chuàng)初期,參考采用了大量的文獻資料,其中包括《中國古典舞身韻》、《中國古典舞的發(fā)展》、《太極圖說》、金庸的《武俠全集》等文獻書籍,充分掌握了太極文化氣韻以及中國古典舞身韻的精髓,詮釋了體育的精神,武俠的情節(jié),將其融入于舞蹈作品中。而隨著第一版《舞·俠》比賽以及表演的成績,陸續(xù)訪談了舞蹈界以及武術屆的相關專家,在吸取專家意見后重新樹立主題,同時配合服裝,燈光,背景,音樂進行了修改,將其與第一版進行對比論證。一代《舞·俠》僅是初次將武術與舞蹈相結合的單一性舞蹈劇目,而二代《舞·俠》在技術難度之上加入了人物形象和主題思想,使其更加成熟,通過俠客形象反映出了體育的精神與藝術的造詣。劇目《舞·俠》先后兩年參加藝術院校及體育院校不同領域的比賽,至今仍活躍于各大演出及電視節(jié)目的表演歷程中,不論是在體育界,還是在藝術圈,其影響力都在與日俱增,反映出《舞·俠》這一作品在不同領域有著不同的方向和引領性,而這巨大的影響力更足以證明舞蹈與武術結合的必然性,更是為體育與藝術的未來發(fā)展起到了巨大的推動作用。
[Abstract]:The combination of dance and Taiji elements in the dance drama "Dance Warrior" provides an effective way for the future of sports art, and also opens up a new direction for the development of art in sports colleges and universities. In the idea of creation, a character figure of "chivalrous" runs through the whole dance, as the theme of this work, using the action language of "dance, martial arts" to express "chivalrous, bone, softness, affection," Interprets a "dance" with the spirit of "martial arts". The style of dance movements is sometimes implicit, sometimes unrestrained; sometimes tender, sometimes vigorous; sometimes soothing, sometimes swift. Both the ancient atmosphere of Chinese classical dance and the rigid and soft development of Chinese Taiji culture, dance and Taiji's softness, delicacy and power passion are perfectly displayed in the whole dance repertoire. The combination of sports and art is vividly reflected in this dance work. In the Dance Warrior, a man and a woman in the opening scene symbolize a strong and soft, a yin and a yang, and this combination of yin and yang reflects the opposition and relationship between natural things. Through the chivalrous figure created by the dancers, the work further illustrates that in today's complicated society, there are still some people, like knights in the rivers and lakes, who live in the present moment, with the same faith in their hearts. Still maintain a loyal liver, chivalrous tenderness of the heart. The action language in Dancing Warrior is combined with Taiji's charm, but it is not completely integrated. Since October 2010, the "Dance Warrior" has been revised twice. At the beginning of its compilation, a large number of documents have been used for reference. Among them are "the body rhyme of Chinese classical dance", "the development of Chinese classical dance", "Taiji picture theory", Jin Yong's "complete collection of martial arts" and other literature books, which fully grasps the essence of Taiji culture and the body rhyme of Chinese classical dance, and interprets the spirit of sports. Martial arts plot, will be incorporated into the dance works. And with the results of the first edition of the "Dance Warrior" competition and performance, we successively interviewed relevant experts from the dance and martial arts circles, re-established the theme after absorbing expert opinions, and modified it with clothing, lighting, background, and music. Compare it with the first edition. Dance Warrior is only the first time to combine martial arts with dance single dance repertoire, and the second generation "Dance Warrior" in addition to the technical difficulty of the characters and theme ideas to make it more mature, Through the chivalrous image reflects the spirit of sports and artistic attainments. The Drama "Dance Warrior" has participated in competitions in different fields of arts and sports institutions for two years, and is still active in the performance process of major performances and television programmes, whether in sports or in the arts circle. Its influence is increasing, reflecting that the work has different directions and leads in different fields, and this great influence is enough to prove the inevitability of the combination of dance and martial arts. More for the future development of sports and art has played a huge role in promoting.
【學位授予單位】:北京體育大學
【學位級別】:碩士
【學位授予年份】:2013
【分類號】:J723

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