發(fā)布時(shí)間：2018-05-14 10:18

  本文選題：苗族史詩(shī) + 艱苦奮斗精神　； 參考：《貴州民族研究》2009年01期

【摘要】：正苗族人民自其始祖蚩尤戰(zhàn)敗后,自北到南,由東而西,轉(zhuǎn)輾遷徙,足跡遍布半個(gè)中國(guó),乃至國(guó)外。因此,反映戰(zhàn)爭(zhēng)、遷徙方面的舞很多,構(gòu)成了史詩(shī)舞蹈的系統(tǒng)。它既是用來(lái)表達(dá)先民的艱苦奮斗精神,又是用以激發(fā)苗民的戰(zhàn)斗意志,保衛(wèi)民族生存。學(xué)術(shù)界有一種觀(guān)念:舞蹈是長(zhǎng)于抒情,短于敘事。然而,苗族史詩(shī)舞,恰恰與其相反。苗族敘事性的史詩(shī)舞,不僅長(zhǎng)盛不衰,而且豐富發(fā)達(dá),可謂到了什么事情都用舞蹈來(lái)表達(dá)的地步,凸顯其濃厚的民族特色。
[Abstract]:After the defeat of Chi You's ancestor, the Miao people, from the north to the south, from the north to the south, and from the east to the west, are turning and migrating, the footprints are all over half China, and even abroad. Therefore, it reflects the war and the migration of a lot of dance, which constitutes the system of the epic dance. It is not only used to express the hard struggle spirit of the ancestors, but also to stimulate the fighting will of the Miao people and defend the nation. There is a concept of survival in the academic world: dance is longer than lyric and shorter than narrative. However, the Miao epic dance is exactly the opposite. The narrative epic dance of the Miao nationality is not only flourishing, but also rich and developed. It can be said that everything is expressed with dance to highlight its strong national characteristics.

【分類(lèi)號(hào)】：J722.22
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本文編號(hào)：1887459