本文選題：招子鼓 + 祭神　； 參考：《原生態(tài)民族文化學(xué)刊》2017年01期

【摘要】：招子鼓是產(chǎn)生并流傳于河北省邢臺市隆堯與寧晉縣的千戶營、耿莊橋一帶村莊的民間鼓舞形式,自清代至今,歷經(jīng)了由祭神向娛人的功能變化,表演形式也隨其功能的變化而逐漸藝術(shù)化。其內(nèi)在原因則是這種民間鼓舞所依托的自然、社會環(huán)境的變化。從社會生態(tài)變化、文化功能變化、藝術(shù)形式變化闡述招子鼓的漸變過程,揭示三者之間的內(nèi)在關(guān)系。
[Abstract]:Zhaozi Drum is a form of folk encouragement produced and spread in Longyao and Ningjin counties in Xingtai City, Hebei Province. From the Qing Dynasty to the present, it has gone through the function of sacrificing gods to amusing people. The form of performance is gradually artistic with the change of its function. Its internal reason is this kind of folk encouragement relies on the natural, social environment change. This paper expounds the gradual change process of Zhaozi Drum from the changes of social ecology, cultural function and artistic form, and reveals the internal relations among them.
【作者單位】： 河北大學(xué)藝術(shù)學(xué)院;
【分類號】：J722.21
，

本文編號：1856558